Training Ground

Photos by John Luke

Never marry a doctor.” That was the age-old wisdom of countless mothers whose hope for their daughters—and occasionally sons—included a spouse who didn’t spend most of his waking, and some of his sleeping, hours at work.

Today, the road to becoming a doctor is still grueling. And the educational demands are arguably more complex, thanks to the incredible rate at which medical knowledge is advancing. What students learn today might be out of date by the time they’re practicing, requiring them not only to stay on top of the medical literature but also to be able to make sophisticated judgment calls about when to introduce the latest and greatest treatment to their patients. A lifelong love of learning and a burning desire for knowledge may turn out to be the modern physician’s most important skills.

One thing that hasn’t changed is the competitiveness of medical school. For every one of the 82 seats at the U’s School of Medicine freshman class, there are more than 13 qualified applicants. Even a spectacular undergraduate career will not guarantee admittance. Successful candidates will also have done community service, worked in research labs, and found ways to gain experience interacting with patients. And then there are important character considerations. “A student who is not caring and compassionate will not be a good physician,” says David Bjorkman, dean of the School of Medicine.

Supplying a physician workforce for the state of Utah is Bjorkman’s other job—an especially daunting task given that Utah ranks an abysmal 47th out of 50 for the number of physicians per state population. While the national average is 235 physicians per 100,000 people, Utah has 165 per 100,000. Complicating matters is that last year, the medical school lost $10 million in annual federal funding, forcing a reduction in class size from 102 to 82 students.

That’s why Bjorkman hopes that some of the U’s medical students will stick around and those who went to medical school out of state will think about returning to Utah for their residencies. “We know that the best indication of where a physician will practice is where they do their terminal training,” says Bjorkman. “So we try to make each of our residency programs so stellar that they’ll attract the best and the brightest physicians to Utah.” Because even with the medical school at capacity and the U’s 690 intern, resident, and fellow positions filled, Bjorkman notes, the physician workforce demands of the state still won’t be met.

Cynthia Newberry

It’s hard to believe that the last four years of Cynthia Newberry’s life were anything other than a blur. She married in 2006, started medical school a month later, had two daughters over the next three years, and on May 22, graduated with Alpha Omega Alpha honors from the University of Utah School of Medicine.

But Newberry doesn’t seem the least bit frazzled as she makes rounds on patients in the lock-down unit of the University Neuropsychiatric Institute, where she is finishing her final four-week clinical medical school rotation. Her demeanor is quiet and calm as she, the attending physician, a resident, and a social worker talk with patients who are being treated for addictions to heroin, alcohol, or prescription drugs.

Newberry’s calmness may have something to do with her experience working down in the trenches, fighting forest fires in Alaska and Utah for four summers, or having taken five years between graduating from college and starting medical school at the U. “I’d lived an exciting and playful life in my early twenties and didn’t feel like I was missing out on anything,” she says. It may also have something to do with knowing that her husband, Mike, was at home caring for their two daughters, Caroline (3) and Megan (1). But probably most of it has to do with just being Cynthia Newberry.

Growing up the oldest of five children, Newberry didn’t have a childhood ambition of becoming a doctor. She just liked math and science. By default, she ended up taking all the pre-med requirements in college and graduated with a bachelor’s degree in biology. Unsure medicine was her calling, she wisely decided to take some time off and experience the world.

In her final weeks of medical school, Newberry reflects on what a huge juggling act the past four years have been. “There’s really no great time for a female physician to have a baby,” she says. Fortunately, her husband was willing to go from being a working, single guy and avid recreationalist to a stay-at-home father of two girls with a wife in medical school. The latter turned out to be the bigger jolt of the two. “He really had no idea about how long of a road medical school is, the huge commitment, and how little control you have over your own time,” says Newberry.

The U School of Medicine’s curriculum has recently been redesigned so that students can begin interacting with patients in their first year. But for Newberry, the first two years of medical school involved a manageable 50 hours a week of attending lectures and labs—and studying. Her third year was a huge wake-up call: She began her clinical rotations, which typically involved 12-hour days, six days a week. In addition, once or twice a week, Newberry would report to the hospital for a 30-hour, in-house call—arriving at the hospital at 6 a.m. and returning home the next day at noon or whenever everything was wrapped up—whichever came last. “It’s really a shock to your system,” says Newberry, who was pregnant with Megan for the second half of the year. “Adjusting to the lack of control over your own time is the hardest part.”

By the end of the third year, students are expected to choose a specialty—a complicated decision that involves factoring in the type of medicine, patient population, length of residency, hours, compensation, and the hard reality of whether they would make the cut for some of the most competitive residencies. Newberry had done well enough that the field was wide open. After great deliberation, she chose anesthesia, and in the fall of her fourth year, she began applying to and visiting anesthesiology residency programs around the country.

With newborn Megan and her mother in tow, Newberry traveled to seven academic medical centers, carefully considering the strength of each program, its reputation, the location, and the personal connection she felt with the residents and attending physicians. At the end of what she describes as “a recruiting adventure,” she ranked Utah as her first choice. “The U’s program has a top-notch reputation and is nationally known for its training in some important subspecialties of anesthesiology,” says Newberry. Plus, she loves the location. “I can’t really think of a better place to live,” says Newberry. “We have all the benefits of the city and a great medical center without the traffic and stress.”

On June 24, Newberry will report for her first day of work to the general internal medicine service, where she will complete her internship year—the first year of her residency. She knows it will be a steep learning curve but feels well prepared.

Once Newberry finishes her educational odyssey in four to five years, she hopes to find a way to reciprocate for the opportunity. “I feel an obligation to patient care but also to give back to the students and residents,” she says. “Medical education is such a unique learning structure, because you learn through your interaction with senior physicians. Teaching challenges you to be at the forefront of the literature and provide the best care for your patients. I’d love to be a part of that system down the road.”

Ramin Eskandari

Ever since Ramin Eskandari was a young child growing up in Iran, he knew he wanted to become a surgeon. It hasn’t been an easy road to arrive at his ambitious childhood goal. When the Iran-Iraq War broke out in 1980, the Eskandari family fled, abandoning their house on the border and taking turns living with whichever relatives could squeeze in a family of four. In 1984, they received a green card to come to the U.S. and started their lives over in Ann Arbor, Mich. Ramin was seven years old.

Eskandari remained laser-focused on his career goal, taking any class that had to do with the brain, and working in the lab of a pediatric neuroendocrinologist during college at the University of Michigan at Ann Arbor. Although his first two attempts to get into medical school were unsuccessful, he was determined. He enrolled in a master’s program in basic medical sciences at Wayne State University in Detroit and found a job at a hydrocephalus research lab. On his third attempt, he was accepted to the Wayne State University School of Medicine.

At the beginning of Eskandari’s fourth year of medical school, the late chair of the Department of Neurosurgery at the University of Michigan, Julian “Buzz” Hoff, an esteemed surgeon and researcher, recommended that he check out Utah’s program, which Hoff described as “one of the best.” After just one visit to the U, Eskandari felt at home with the program, the mountains, and the positive attitude of the residents and attending physicians.

“Thrilled” is generally not a word used to describe someone in the middle of one of the most grueling and competitive surgical residencies, but Eskandari appears to be an anomaly. Four years into the six- to seven-year program, he still looks forward to taking his 30-hour call every other weekend. “People think I must go home and kick the cat,” he says. “But I love what I do.”

Eskandari feels fortunate that his wife, Aline, who’s in an MBA program at the U, is very independent. “I think your happiness in residency has a lot to do with expectations,” he says. “If people expect to have all sorts of free time in residency, they’ll become very disillusioned.”

At 5:15 a.m. on a Friday, Eskandari arrives at the 24-bed neurocritical care unit at University Hospital, where he’ll be for the next 30 hours. By 10 a.m., he’s twice made rounds on each of the patients, many of whom are unconscious, sedated, or intubated. They range from a 14-year-old girl who has been there for two months, to a 60-year-old man who suffered a paralyzing spinal cord injury in a car accident, to a woman with a massive brain hemorrhage flown in the night before from Price, Utah.

At 10:30 a.m., a group that includes Eskandari, a nurse, a second-year ER resident, a stroke fellow, a nutritionist, and a pharmacist gather around the attending physician, a neurologist and neurointensivist (a physician specially trained in neurocritical care). The rapport among the group is direct but collaborative. They disagree with one another, push back, and request clarification. At one point, the attending physician has Eskandari elaborate on a diagnosis, and then counters, “You can just throw that logic down the drain.” Eskandari seems to appreciate her directness. “Okay, flushed,” he responds.

As the day progresses, Eskandari is likely to be called to see a trauma patient. A Level One Trauma Center, University Hospital is required to have a neurosurgeon available at all times. “We need to be the fastest at seeing patients when we’re called, because the potential for disaster is high,” says Eskandari. “Very few things kill faster than an enlarging hemorrhage in the enclosed skull.”

Although most neurosurgeons choose to live very close to the hospital, having a neurosurgery resident in-house can save lives. Eskandari tells the story of doing a rotation at Primary Children’s Medical Center when a young boy with hydrocephalus arrived in the Emergency Department (ED). The tip of his catheter—the tube that drained excess spinal fluid into his belly—had malfunctioned. As a result, so much fluid had collected in the child’s skull that he was comatose and his pupils were dilated, a sign of impending death. The attending pediatric neurosurgeon and division chief, John Kestle, hurried immediately to the hospital but first spoke to Eskandari, explaining what he had to do to save the boy’s life. With the ED staff gathered around and his heart pounding, Eskandari inserted the longest needle he could find through the child’s skull. Immediately, he began drawing fluid, and within minutes the boy began regaining consciousness. Soon after, Kestle arrived, and the child was taken into surgery and the catheter replaced.

But most of Eskandari’s days are far less dramatic. His fourth year of residency is his research year, so he spends most of his time in the lab of Pat McAllister, who came to the U from Wayne State a year after Eskandari. McAllister is now a professor of neurosurgery and director of the U’s highly regarded Basic Hydrocephalus Research Program. For most of the year, Eskandari has been investigating surgical treatments for neonatal hydrocephalus, a condition that is fatal without surgical intervention. The past month, however, he’s spent 15 hours a day studying for his neurosurgery board exams.

In July, Eskandari will begin his fifth year of residency, which will involve more surgery and more complex cases. His sixth and final year will be one of the most intense. As chief resident, he will be involved in all the major surgical cases, along with having the added responsibility of overseeing the residents.

True to form, Eskandari is excited at the prospect. “I’ve had so many good role models, people who are very balanced, such as Dr. Kestle. He practices, does research, and serves as program director of the residency program. I’d like to be that kind of role model someday.”

— Amy Albo is a writer and editor with the Office of Public Affairs for University of Utah Health Care.

The Brazilian Connection

The U’s new Brazilian Studies Program fills a niche in helping students understand the country and forge connections.

Photos by Douglas Pulsipher    Illustrations by Scott Greer

In 2014, a half-million visitors will descend upon Brazil for the FIFA World Cup soccer tournament. In 2016, the world will stampede to Rio de Janeiro to experience the summer Olympics.

But this summer, University of Utah study abroad students will beat the crowds and spend several weeks exploring the culture, language, and history of Brazil in a far more intimate fashion. Sure, there won’t be banner-waving sports enthusiasts, throngs of reporters, and hordes of snappily dressed volunteers mag-and-bagging them at the entrance to every venue. But there will be art, architecture, music, food, one-on-one experiences, conversation in the Portuguese language, and an authentic taste of what it means to be in Brazil and what Brazil means to the rest of the world.

And that’s precisely what the Brazilian Studies Program in the U’s College of Humanities is all about.

Alessandra Santos (left) and Rebecca Horn of the U’s Brazilian Studies Program

For two years, Rebecca Horn, director of the Latin American Studies Program and associate professor in the Department of History, has been overseeing the building of the U’s innovative Brazilian Studies Program. “Brazil is the economic powerhouse of Latin America,” says Horn. “It’s one of the world’s largest democracies, and it has enormous cultural influence. Brazilian music, art, dance, literature, and film are crossing many boundaries, exerting a tremendous influence in the United States. Brazil is critically important to us on many levels.” With an estimated 1.5 million Brazilians living in the United States and trade relations with Brazil expanding, Brazilian Studies programs are becoming a vital part of university internationalization efforts across the nation.

As important as Brazil is to the United States, the South American country has particular significance in Utah. According to the Brazilian American Chamber of Commerce of Utah, 8,000 to 10,000 native Brazilians live in Utah, and 30,000 Americans in the state speak Portuguese.

Many Portuguese-speaking Utahns are LDS returned missionaries who served in Brazil and wish to stay connected to their Brazilian experiences and maintain their language skills. But a growing number of Utah residents are interested in Brazil and its language because of business ties, its increasing importance in the global economy, or for cultural, environmental, and scientific interests.

This translates into a significant desire from students and employers for courses in Portuguese language and Brazilian culture. “There’s a market demand for students who have linguistic and cultural competency,” Horn explains. “Those businesses in Utah with ties to Brazil want to hire employees who speak Portuguese and who have some understanding of Brazil.”

The Latin American Studies Program itself is fairly young; a minor in Latin American Studies was developed in 2002 and a major offered for the first time in 2009. Now, Horn says, “We have been working the last couple of years to expand the program and announce that we are making Brazilian Studies a central component of Latin American Studies.”

To support this fledgling program, the University administration awarded a tenure-track position in Portuguese Language and Brazilian Studies last year, and Assistant Professor Alessandra Santos was hired into that position in the Department of Languages and Literature. While her department has taught Portuguese language courses for several years, Santos, a native of the Porto Alegre area in southern Brazil, is the first tenure-track professor hired to teach upper division classes on Brazilian literature and culture. Next year, along with Elena Shtromberg (Department of Art and Art History) and Angela Espinosa (Department of Languages and Literature), she will co-teach an interdisciplinary course exploring “Utopia in Brazil.” “In that class, we’ll be combining visual arts, architecture, urban planning, cinema, literature, and history,” she explains.

Santos is also charged with helping develop the entire Brazilian Studies Program. It’s an ambitious goal. Horn and Santos are working toward establishing a minor in Portuguese, and eventually, they hope, a major. They’re also attracting a diverse cadre of professors, in disciplines ranging from biology to economics to art history, who are interested in incorporating Brazilian aspects into their curricula and developing a more global perspective for their students. In addition, says Horn, “There are faculty on campus who already have research interests in Brazil, and we seek to support that and deepen our institutional ties to Brazil.”

Another benefit is the recent acquisition by the Marriott Library of the Brazilian Cultural Collection, a compilation of films, videos, and music that Horn says “has been a great addition to our resources on campus for both teaching and research.”

A key development piece of the Brazilian Studies Program is the Gary J. Neeleman Chair in Brazilian Studies. Once fully endowed, Horn says, this chair “would allow us to recruit someone of national prominence in Brazilian Studies, who could bring academic experience and reputation to the program.”

“Given our community’s unique connections with Brazil, this program is a great fit in our Latin American Studies Program,” says Robert Newman, dean of the College of Humanities. “We owe much to the beneficence of Gary and Rose Neeleman, and to relationships we have fostered with universities in Brazil over the last few years.”

The program’s Roberta Vasconcelos (left) and Elena Shtromberg

The Brazilian Studies Program has already attracted a Fulbright language teaching assistant, Roberta Vasconcelos, who spent this year working as a TA and teaching beginning Portuguese.

Vasconcelos, from Recife in the northeastern region of Brazil, was also asked to start a Brazilian Club, which “is not only for students,” she notes, “but for anyone interested in Brazilian culture and language.” The club provides an opportunity for students, faculty, and community members to gather monthly to enjoy food, games, movies, conversation, and other activities related to Brazil. In March, it hosted a Brazilian percussion and dance group. Students aren’t required to attend club meetings, according to Santos, but many do because of the unparalleled opportunities “to practice Portuguese, to interact with others, and to meet other students who are also interested in Brazil or who have lived there.”

Introducing students to the local Brazilian community is an important facet of the Brazilian Club, but it has a reciprocal benefit: Members of the community are pleased to find an appreciative young audience interested in Brazil.

In April, the Brazilian Studies Program hosted a theatrical performance by BYU students who performed Auto da Compadecida by Brazilian playwright Ariano Suassuna. The performance was the first of what Horn and Santos hope will be numerous collaborations with Brazilian and Portuguese programs at other Utah universities.

Biologists Thomas Kursar and Phyllis Coley

Faculty are discovering the rich benefits of interdisciplinary collaboration with the Brazilian Studies Program, too. Phyllis Coley and her husband, Thomas Kursar, both professors in the Department of Biology, have spent 25 years at the University of Utah investigating how tropical rain forest plants defend themselves against insects. A year ago, they contacted Horn about applying for a grant to fund their research in the Brazilian Amazon region. “Part of the grant said you have to make a difference at your university in terms of international studies,” says Coley. “We called Rebecca Horn and said, maybe we could put together a rain forest ecology course for non-majors. Tropical rain forests are incredibly important for biodiversity, a source for useful products and medicines we haven’t discovered yet.”

According to Coley, the meeting with Horn was fortuitous. “We found all sorts of connections that we never would have thought of. It’s been mutually very beneficial. Previously, humanities and the sciences never talked to each other,” Coley explains. “One of the Brazilian Studies’ goals is making these connections across campus.”

Forging connections between the University of Utah and colleges in Brazil is another important goal. Kursar believes these institutional connections will help researchers. “The Brazilian Studies Program can facilitate two-way interchange,” he says. “In particular, Brazil restricts access by foreign researchers, and there is no simple mechanism that will allow us to bring American students to Brazil to participate in research. One goal of Brazilian Studies could be to develop a program that will facilitate exchanges.”

An invaluable first step in those exchanges will happen this summer, when Shtromberg, director of the Summer Study Abroad Program in Brazil, takes the first group of University of Utah students to Rio de Janeiro. An assistant professor of art history, Shtromberg specializes in Latin American art, and her experience and knowledge will bring a unique perspective to the five-week course. “We’ll teach the [Portuguese] language component in the morning. Then they’ll meet with me in the afternoon for excursions to the city and outside the city, and we’ll have artists come talk to us,” she says, outlining the adventure awaiting these students.

An unmistakable devotion to teaching, research, and all things Brazilian resonates from all the professors involved with the Brazilian Studies Program. The students setting foot on Brazilian soil this summer may not realize that they’re also laying groundwork for future University of Utah research opportunities. They almost certainly won’t recognize the long-term ramifications their visit may have for trade relations between Utah and Brazil.

But being able to experience the art, language, and culture of Brazil in such a unique way is something they will appreciate for a lifetime.

—Kelley J. P. Lindberg is a freelance writer based in Layton, Utah.


Connection Established

Gary Neeleman BFA’74, for whom the chair in Brazilian Studies is named, is currently president of Neeleman International Media Consulting Inc. Neeleman spent 27 years with United Press International, first as a correspondent for seven years in Brazil and later as vice president and general manager over editorial and business in the Latin America and Caribbean areas. He then joined the Los Angeles Times Syndicate International in 1985 and served as executive worldwide VP for syndicate operations. He also worked for the Chicago Tribune Syndicate International for four years before retiring and establishing his own consulting company. He is currently the Honorary Brazilian Consul for the State of Utah and is well known for his lectures and articles about Brazil. In 1985 he authored the book Farewell My South, which tells the story of the Southern Confederate migration to Brazil after the Civil War. Neeleman is the father of seven children, three of whom were born in Brazil and carry dual citizenship.

Growing the Garden

Celebrating its 25th anniversary this year, Red Butte Garden & Arboretum is a place to find refuge—and to create memories.

If setting aside national parks is America’s best idea, then establishing Red Butte Garden at the University of Utah is surely the local equivalent.

Located on the east bench at the top of Research Park, Red Butte Garden & Arboretum occupies 100 acres overlooking the Salt Lake Valley and the Oquirrh Mountains beyond. Although a mere 25 years old, Red Butte has grown into a nationally respected botanical garden as well as a popular local cultural venue. Just a few minutes’ drive from downtown Salt Lake City, the garden serves as a haven for those who seek a refuge from the hubbub of urban life.

The garden’s executive director for the past six years, Greg Lee, notes (not surprisingly) that he “loves plants.” But Lee’s dedication to his work goes beyond the botanical; his educational and life experiences, he says, “have led me to understand that the three things I really care about are education, conservation, and activities that benefit children and families. Red Butte Garden combines all three.”

Which is exactly what brought him to Utah. With a master’s degree in accounting and finance, a doctorate in botany, and extensive university and nonprofit experience, Lee is well-prepared to address the challenges of achieving the garden’s mission “to cultivate the human connection with the beauty of living landscapes… through plant displays and collections, education, conservation, and as a setting for cultural enrichment and events.”

One of the key points in that mission statement is education. A variety of classes are offered at the garden for both children and adults. Parents can check out interactive backpacks for their children to help them understand the mysteries of plant life, or hold a birthday party, or sign them up for Garden Adventures and Kids Camps. For adults, the garden offers a Healthy Living program, hikes and outings, short courses dealing with water usage and landscape design, and special lectures and workshops.

“About 15,000 school children visit the garden each year,” says Lee. “Plus we have a statewide outreach program called Grow Lab, which is brought to second-grade classrooms throughout the state [and which in 2006 received an award as the state’s best environmental education program]. We also do a lot of family programming, from our Monday Family Nights to festivals like Garden after Dark and Arbor Day.”

Conservation and plant research are also essential ingredients in the garden’s mix. The garden partners with the Center for Plant Conservation and other organizations to study, protect, and preserve many of the more than 250 rare plant species that exist throughout the Intermountain West.

About 75 acres of the garden are natural lands, and 25 acres are designated for gardens and facilities. Of those 25 acres, 18 so far are developed and include buildings, display gardens, and three to four miles of hiking paths. The seven remaining acres will eventually be developed into additional gardens.

“I think of the garden as being in adolescence,” Lee says. “It has had a thriving childhood but still has some growing to do, and now we have an opportunity to decide what kind of an adult it will be.” There are a number of likely developments: a Center for Sustainable Horticulture/Education building, a rock garden, a native plant garden, a shade and woodland garden, a western-influenced Asian garden, and a conservation garden that would address increasingly important water- and other resource-conservation issues by demonstrating “how people can garden in a way that requires relatively low inputs of not only water but also of chemicals, such as fertilizers, herbicides, and pesticides.”

The garden is already showing signs of maturity, most noticeably by the 2008 renovation and expansion of its popular outdoor amphitheatre that features summer concerts. As a result, notes Lee, “annual concert attendance has increased by 15,000 people or close to 50 percent in just two years. The big differences are that we can accommodate larger numbers well and bigger-name acts now want to play here. The sound quality and sightlines are better, and we have added large, permanent restrooms. The overall experience for people has improved, which is reflected by the increased attendance—even during the ‘Great Recession,’ when other venues across the country were experiencing dwindling attendance.”

The Summer 2010 Concert Series is the biggest yet, with 21 shows and headliners including Norah Jones, Sheryl Crow, and Willie Nelson.

Looking to the future, Lee says that water—either the lack or the increased cost of it—“will probably be a factor constraining growth in the valley. We can cut down household water usage by 30 percent just by changing people’s landscaping practices. That makes the conservation garden and associated education facilities our most important future initiatives. We have the initial design work done on both of them,” he says, adding, “All that’s left now is to find the resources to build them.”

Fund-raising is, in fact, key to the garden’s existence, as it operates as a nonprofit within the University community. Eighty percent of its operating budget comes from either donations or revenue it generates from concerts, rentals, education programs, and other activities. In addition, “All of the garden’s buildings and other facilities have been built with privately donated funds,” Lee notes.

Over the past quarter-century, private funding has allowed the garden to grow steadily. It opened to the public in 1985, and the Walter P. Cottam Visitors Center (named after the legendary plant researcher, cofounder of The Nature Conservancy, and former chair of the University’s Botany Department) was funded through a lead gift from the George S. and Dolores Doré Eccles Foundation and dedicated in 1994, followed by the Courtyard Garden, Hemingway Four Seasons Garden, and Dumke Floral Walk that same year. In 1999, the Children’s Garden opened, with the Richard K. Hemingway Orangerie following three years later. Most recently, the garden’s education and administrative staff (for many years housed at Fort Douglas) relocated to the garden premises, thanks to an expansion of its visitors center, which now also includes a much-needed multipurpose room that will be used for meetings and classes.

During Red Butte Garden’s 25th anniversary year it will honor two of its founders and major supporters, Ezekiel R. Dumke, Jr. BA’50 and Katherine W. Dumke BS’51, who have been intimately involved in the development of the garden since its beginning.

Now that the garden is well established, Lee and others in the administration look to a bright future. It’s clear that during its relatively brief existence, the garden has come to play an important role within the local community. “The garden means many different things to many different people,” observes Lee. “Someone might find it a place of solace and refuge, someone else might appreciate it for its beauty and artistic presence; another may think of it as a horticultural resource, as a place of learning, or as a venue for entertainment or exercise. For me it is all of these things, but most importantly it is a place where people can experience many of life’s most memorable moments, whether it’s a wedding, a memorial service, families sharing a delightful experience, walking through 200,000 blooming daffodils, or attending a concert. It’s a wonderful place for creating memories.”

—Linda Marion BFA’67 MFA’71 is managing editor of Continuum.

For a schedule of upcoming concerts at Red Butte Garden, click here.


Things You Might Not Know About Red Butte Garden

By Bryn Ramjoué

Secret Garden: Red Butte Creek bubbles past a hidden spot in the natural area, reached by a narrow staircase, where there are two picnic tables and two benches honoring Eagle Scout accomplishments.

Bees: The garden attracts a variety of bees of differing colors, from classic yellow and black to bright green and even blue. Bee types include mason, bumble, and honey, or Apis mellifera, which became the official Utah state insect in 1983.

Beehives: A local beekeeper maintains an apiary of 20 hives on garden property; the amount of honey produced annually depends on the weather, the temperature, and the vigor of the queen bee, among other variables. (The honey can be purchased at the Red Butte Garden Gift Shop.)

Hiking Trails
: There are almost four miles of hiking trails on 80 acres of natural area. The trails meander along shaded paths and up the mountainside, offering rewarding views of the Salt Lake Valley. One trail leads to an abandoned stone house that once sheltered quarry workers.

Wildflowers: The garden’s natural area contains a wide array of native wildflowers, including sunny yellow arrowleaf balsamroot, Indian potato, mountain bluebells, baby’s breath, tailcup lupine, sego lily (Utah’s state flower), leopard lily, yellowbells, blue flax, longleaf phlox, low larkspur, and the rare Beckwith’s violet. Wildflowers bloom at differing times from March through September.

Collections:

  • 49 species of conifers
  • 30 species of ornamental grasses
  • 17 species of penstemon
  • 36 oak hybrids
  • 96 rose cultivars (named hybrids)
  • 200,000 daffodils representing 139 kinds including both species and cultivars


Memorial Benches
: There are 65 benches placed throughout the garden memorializing donors’ loved ones.

Dues-paying Members
: 6,300 to 6,600

Annual Visitors: 150,000

—Bryn Ramjoué is director of communications for Red Butte Garden.

Surviving and Thriving

This issue of Continuum marks the beginning of the magazine’s 20th year. In May 1991, the first edition of this magazine appeared, complete with a cover story about genetics research at the U.  What the editors and writers back then knew (and it’s no less true today) is that the University of Utah is at the forefront of medicine—in terms of both research and training of medical professionals. That first issue highlights the U’s considerable and impressive work in medical research, but there are other important things happening in the health sciences that perhaps don’t get quite as much attention. And so it seems fitting that, as Continuum nears two decades of publishing, our cover story looks at the other side of the medical coin—providing a training ground for students. And that endeavor has become more important than ever, given the much publicized “physician shortage” faced by most regions in the U.S.

Medical training in this country requires students to run a gauntlet of labs, classes, patient care, studying, and the shedding of much sweat and tears, if not blood. Yet despite these trials, scores of students apply to the U’s School of Medicine every year. Make no mistake, these students—whether accepted at the U or elsewhere—are qualified and intelligent individuals, and by all accounts, know what they’re getting into. In our cover story, Amy Albo introduces two such students, offering readers a glimpse into the lives of exhausted yet exhilarated young doctors. Forget what you’ve seen on Grey’s Anatomy; this is the real deal. Despite all the hurdles these two doctors must clear in the early stages of their careers, both are passionate about helping patients, and that’s what matters most.

Continuum isn’t the only campus entity commemorating a significant event this year. Red Butte Garden marks its 25th anniversary, and to help celebrate the occasion, Linda Marion explores the history of the garden, along with recent renovations and future plans. This time of year, Utahns and visitors flock to Red Butte Garden for its popular outdoor summer concerts. But Red Butte is also respected for its conservation efforts and educational offerings—for children and adults alike—as well as (of course) for its extensive collections of flowers and plants. A visit to this urban oasis is highly recommended.

Kelley Lindberg introduces the U’s new Brazilian Studies Program. The South American nation boasts the world’s eighth-largest economy, and despite the global recession, appears to be continuing to thrive. Without question, Brazil’s trajectory will take it to the top of the worldwide ladder in the coming decades. To help understand this rising South American powerhouse, the U launched the Brazilian Studies Program in 2009, and it’s attracting students who yearn to know more about a country that may well dominate headlines in the near future. The Brazilian Studies Program—and numerous other new programs and areas of study across campus—is a good example of the kind of interdisciplinary, forward thinking that happens at the U.

Also in this issue we feature profiles of Bill Farley, a longtime faculty member in the College of Social Work and a humanitarian known for his work with the elderly; and U of U sports medicine grads Robert “Chip” Schaefer and Frank Vitti, both of whom help keep the Los Angeles Lakers at the top of their game. Plus, Paul Ketzle conducts an intriguing Q&A with English professor and writer Lance Olsen, who continues to make his mark in the world of experimental fiction.

As always, I encourage readers to drop us a line about these or any other stories in Continuum by e-mailing me here.

Feedback

Queen for a Day

I can’t even begin to thank Continuum and the University for making such a fuss over Margaret Price Carlston [featured in “Hostess with the Mostest,” Winter 2009 Association News, as the U’s first “Homecoming Hostess”]. At nearly 94 years old, it is good for her to get a little excitement out of life.

She has had so much fun with her newfound fame. Friends, family, and well wishers have been contacting her since September [when this past Homecoming was celebrated]. Most of the Christmas cards from friends mentioned they saw her on TV, read about her in Continuum and The Daily Utah Chronicle, heard about it from friends, or saw information on the Internet. It was amazing how word spread that the U of U honored her during Homecoming week.

She has received letters from people she hasn’t heard from in 40 years or more. It has been great to see the excitement from longtime friends who had no idea that she was so “famous” 73 years ago.

The joy that Continuum, the University, the Alumni Association, the Homecoming committee, the faculty newsletter staff, the Chronicle, and the Delta Gamma girls have brought to Margaret has been so amazing. All of this has really perked up her life. She talks about it all of the time. She can’t believe that she got to ride out onto the field with [U of U] President Young and that she got to meet Spence Eccles. It has been fun for our whole family.

Again, I cannot thank all of you enough. You have given Margaret a precious gift to be treasured in her golden years.

She has always been our “Queen.” Thank you for making her “Queen for a Day” and helping her remember days gone by.

Kathy Carlston Miner
Cottonwood Heights, Utah

Fountain Memories

I remember going to football games in the late 1940s-early ’50s, and just outside the southwest entrance to the stadium there was a water fountain with at least 24 (maybe more) “bubblers” or spigots that was labeled “The Fountain of Ute.” I’ve no idea whether this was near the building featured in the article [“Wondrous Water,” Winter 2009], or had any connection to it at all, but that’s my recollection; I wonder if that old fountain is still in existence?

Dick Robinson BA’75
Walnut Creek, Calif.

Two Sons Too Many

Today I received my copy of the Spring 2010 Continuum. I immediately recognized the former home of my uncle and aunt, Joseph and Evelyn Rosenblatt [“House, Home, Reception Hall”]. I spent many happy times there enjoying their generous hospitality.

I did, however, note an error on page 27. There is a reference to five sons and one daughter. There are three sons and one daughter:  Norman, Stephen, Toby, and Mindy. Maybe four children just isn’t a big enough family for Utah.

Carol Landa ex’67 (daughter of Esther Rosenblatt Landa ex’33)
San Francisco, Calif.

Ed. Note: Thank you for letting us know. The article also included another error: Former U of U President Art Smith is married to June Smith. The article mistakenly referred to her by another name.

Hess Deserved More

I was disappointed to see that you failed to note that Marvin G. Hess was also the head track and field coach for many years [“In Memoriam,” Winter 2009 Gazette]. One world-class Olympian, Blaine Lindgren BS’62 [U of U Hall of Fame], was developed under his coaching along with many other fine athletes. While I know how much he loved wrestling, Marvin Hess would want his contribution to U of U track and field to be recognized. He was a great friend and coach to many athletes at the University.

Mike Soulier BS’64
Salt Lake City, Utah

Ed. Note: A longer tribute to Hess and others noted in the Winter 2009 In Memoriam is available here.

Gazette

News of the University

Tightening Our Belts

The 2010 legislative session proved difficult for higher education—but it could’ve been worse.

Like most legislative sessions, the 2010 assembly offered a few surprises. Fortunately, there were no bombshells for higher education in general or the University of Utah in particular. But like the rest of the nation, the State of Utah is tightening its financial belt, and that will have some measurable effect on the U.

The session began with the likelihood that higher education would be cut an additional 5 percent on top of the massive 17 percent cuts suffered in 2009-10. There was some hope of a one-time backfill to lesson the impact of the ongoing and additional cut. Near the end of the session, the additional 5 percent cut was abandoned and the hoped-for one-time backfill was put back into the budget to reduce the base-budget cut.

As a result, the 17 percent cut imposed by the Legislature in 2009-10 was reduced to approximately 13 percent for 2010-11. At the U, the 17 percent cut had been administered as a 19 percent cut for those units and functions that could suffer the blow. Those departments and programs will benefit from the new add-back. The combined effect of the legislative add-back and increased tuition revenue means that the U will be able to replace much of the one-time federal stimulus funding that helped the institution weather the 2009-10 budget cut. Put another way, for most of campus, 2010-11 budgets will differ only slightly from the previous year’s.

The Legislature cut the Utah Science, Technology, and Research Initiative (USTAR) funding, both one-time and base. For the University, the one-time cut will be about $1.2 million, and the base reduction about $300,000.
The University had requested support for repairs to its aging infrastructure, but the Legislature declined to provide the funds. The U did get approval to combine capital improvements funds beyond the $2.5 million cap to address high temperature water breaks and replacement requirements. No funding was provided for increases in compensation for U of U employees.

The State Board of Regents approved a 1.5 percent increase in tier one (statewide) tuition for all Utah System of Higher Education (USHE) institutions. Combined with a requested 8 percent tier-two increase (made by individual institutions) and fee increases averaging 7.3 percent, the cost of attending the University of Utah will rise by about 9.2 percent overall in 2010-11. Revenue from the tier-one increase will be used primarily to cover increases in the State retirement plan. Revenue from the tier-two increase will be used to address a variety of needs created by the budget reductions in academic, service, and administrative areas.


An Artist of Two Cultures

The UMFA’s summer exhibit of Pablo O’Higgins’ work highlights the career of an inspirational artist.

By Susan Vogel

Pablo E. O’Higgins (1904-1983), La Carreta (The Wagon), 1966, lithograph, from the permanent collection of the Utah Museum of Fine Arts, purchased with funds from the Phyllis C. Wattis Endowment for Modern and Contemporary Art.

The exhibit Pablo O’Higgins: Works on Paper, on display at the Utah Museum of Fine Arts through September 19, is one of four exhibitions designed to celebrate Mexican art and culture at the museum during the summer of 2010.

Pablo O’Higgins, born Paul Higgins in Salt Lake City in 1904, came from a Presbyterian family of Mayflower English and Scots-Irish ancestry. During his childhood, his family spent several years in San Diego County, where he developed a love of Mexican culture. At Salt Lake City’s East High School, Higgins studied under LeConte Stewart and James T. Harwood, both of whom eventually headed the U’s Department of Art. After graduation, he briefly attended the San Diego Academy of Arts, where he learned about Diego Rivera’s murals in Mexico City and wrote him a letter. To his surprise, Rivera invited him to visit. Between 1924 and 1929, Higgins worked as an assistant on three of Rivera’s most important murals.

Under his mentor’s political tutelage, Higgins joined the Mexican Communist Party during a harsh period when it was attempting to eliminate its “middle class element.” It was in this context that Paul Higgins transformed himself into “Pablo O’Higgins,” claiming that he identified more with the working class and distancing himself from his “bourgeois” upbringing. (His father, an assistant attorney general, had once argued before the Utah Supreme Court in favor of the execution of miner Joe Hill, now an internationally known martyr of the labor movement.)

In Mexico, where O’Higgins lived until his death in 1983 (though he maintained his U.S. citizenship until 1961), he is as famous for his graphic art as for the dozen murals he painted in his adopted country. In the U.S., where he completed two murals and taught printmaking, O’Higgins served as an inspiration for Chicano artists who identified with his depictions of social struggles for equality. The Utah Museum of Fine Arts acquired two lithographs by O’Higgins in 2000.

Associate Professor of Art Kim V. Martinez says, “Pablo O’Higgins made a distinct imprint on the Chicano movement by creating militant labor and progressive civil rights public murals during the labor strife of the 1930s, a tradition of social justice that artists continue to draw from today.”

Visit UMFA’s website for more information on the O’Higgins exhibit.


Accolades

Congratulations to the University of Utah’s Cody Scott Rogers, one of 54 students selected as a 2010 Truman Scholar from more than 3,500 applicants representing 283 U.S. colleges and universities. The prestigious scholarship provides each recipient $30,000 for graduate study as well as priority admission and supplemental financial aid at some premier graduate institutions, leadership training, career and graduate school counseling, and special fellowship opportunities within the federal government. Rogers is working toward a degree in political science, with minors in ethnic studies and campaign management, and expects to graduate in May 2011.

Kudos to Vice President of Student Affairs Barbara H. Snyder for receiving the Scott Goodnight Award for Outstanding Service as a Dean from NASPA-Student Affairs Administrators in Higher Education. The award is presented to a lead student affairs officer who has demonstrated sustained professional service in student affairs work, high-level competency in administrative skills, innovative response in meeting students’ varied and emerging needs, effectiveness in developing junior staff members, and leadership in community and university affairs. Snyder has served as VP for student affairs and adjunct associate professor of educational leadership and policy at the U since 1999.

KUED’s Wallace Stegner documentary has been honored for excellence in biography with a NETA Award from the National Educational Television Association. The annual NETA Awards recognize member-produced excellence in public broadcasting. KUED, the University of Utah’s public television network, produced the documentary about the acclaimed writer, conservationist, and teacher, a U of U grad (BA’30) who became one of America’s greatest writers.


In Memoriam

John J. Flynn, J.D., 74, a U of U professor of law for more than four decades

Kevin J. Gully BS’75, Ph.D., ABPP, 58, a former U of U professor of forensic psychology

Walter J. Hawkins BS’73, 62, former Ute basketball player and coach

Paul Hodson BA’36, Ph.D., 100, former U of U business vice president and vice president of special projects and international relations

William R. Slager PhD’51, 85, former chair of the U’s Department of English, and founder and director of its Linguistics Program

For more on these and other memoria, click here.


What To Do at the U during the Summer

Summer’s a long time to sit idle! No need to, because the U offers summer camps and classes for youth in just about every arena imaginable, from art to architecture, and from music to math, for children of nearly all ages. Check out some of the many options here.


Research Roundup

Glue, Fly, Glue

Caddisfly larva. Photo by Fred Hayes

Like silkworm moths, butterflies, and spiders, caddisfly larvae spin silk, but they do so underwater instead of on dry land. Now, University of Utah researchers have discovered why the fly’s silk is sticky when wet and how that may make it valuable as an adhesive tape during surgery. “Silk from caddisfly larvae—known to western fly fishermen as ‘rock rollers’—may be useful someday as a medical bioadhesive for sticking to wet tissues,” says Russell Stewart, an associate professor of bioengineering and principal author of a new study of the fly silk’s chemical and structural properties. “I picture it as sort of a wet Band-Aid, maybe used internally in surgery—like using a piece of tape to close an incision as opposed to sutures,” he adds. There are thousands of caddisfly species worldwide in an order of insects named Trichoptera that are related to Lepidoptera, the order that includes moths and butterflies that spin dry silk.

We Aren’t as Ethical as We Think

Ever since Enron, it seems that more academics have been trying to understand and rectify unethical behavior. Research from the University of Utah might help organizations better understand thinking patterns in the workplace. “Companies typically don’t do bad things because they have bad people,” says Kristina A. Diekmann, professor of management and one of the four authors of a new study on ethics that examines the psychological processes of individuals and how they deceive themselves into thinking they are ethical people. “When people imagine or predict what they would do in certain situations,” she explains, “they think about what they should do. However, when it comes to actually making decisions, people tend to focus on what they want to do.” For example, individuals know they should behave ethically when negotiating with a client, but during the actual negotiation with that client, their desire to close a deal may cause them to make misleading statements and later justify doing so to others. “They are not conditioned to think of the ethical consequences at the time of the decision,” Diekmann says. “What is particularly problematic is that when people deceive themselves into thinking they are ethical but don’t act accordingly, it encourages the continuation of negative behavior.”

The Cost of Being on Your Toes

A still of a study participant walking. Photo by David Carrier

Humans, other great apes, and bears are among the few animals that step first on the heel when walking, then roll onto the ball of the foot and toes. Now, a University of Utah study shows the advantage: Compared with heel-first walking, it takes 53 percent more energy to walk on the balls of your feet, and 83 percent more energy to walk on your toes. “Our heel touches the ground at the start of each step. In most mammals, the heel remains elevated during walking and running,” says Professor of Biology David Carrier, senior author of the new study. “Our study shows that the heel-down posture increases the economy of walking but not the economy of running,” says Carrier. “You consume more energy when you walk on the balls of your feet or your toes than when you walk heels first.” Economical walking would have helped early human hunter-gatherers find food, he says. Yet because other great apes also are heel-first walkers, it means the trait evolved before our common ancestors descended from the trees, he adds. Carrier speculates that a heel-first foot posture “may be advantageous during fighting by increasing stability and applying more torque to the ground to twist, push, and shove. And it increases agility in rapid turning maneuvers during aggressive encounters.”


Campus Notebook

Honorary Degrees Awarded During May Commencement

Sue D. Christensen

E. Gordon Gee

Jon Huntsman, Jr.

Shane Robison

Dean Singleton

Honorary doctoral degrees were awarded to five recipients during the 2010 Commencement ceremonies in the Jon M. Huntsman Center on May 7. Conferred on individuals who merit special recognition for their service to the community or outstanding achievement, the honorary degrees were presented to Sue D. Christensen BS’56 (a Salt Lake City entrepreneur and philanthropist) for Doctor of Humane Letters, E. Gordon Gee BA’68 (president of The Ohio State University and formerly at the helm of several other institutions) for Doctor of Laws, Shane Robison BS’80 MS’83 (executive vice president and chief strategy and technology officer for Hewlett Packard) for Doctor of Engineering, W. Dean Singleton (chairman and CEO of MediaNews Group) for Doctor of Business, and to this year’s commencement speaker, Jon M. Huntsman, Jr. ex’85 (former Utah governor and currently U.S. Ambassador to China) for Doctor of Humane Letters.


$10 Million Gift Will Establish New Home for the College of Science

Gary and Ann Crocker

Gary L. (ex’69) and Ann S. Crocker (BS’74) have donated $10 million to help renovate the historic George Thomas Building after the current occupant, the Utah Museum of Natural History, moves to its new location near Red Butte Canyon in 2011. The remodel of the facility on Presidents Circle will transform the building into a state-of-the-art center for scientific research and teaching. It will house the Center for Cell and Genome Science, modern classrooms and laboratories for innovative and interdisciplinary science and math education, and the College of Science headquarters. The Crocker donation is the lead gift for a $75 million project that is expected to begin construction in 2012. The new facility, to be named The Gary L. and Ann S. Crocker Science Center at the George Thomas Building, is scheduled for completion in 2014. The Thomas Building was dedicated in 1935 as the University’s library and is on the National Register of Historic Places.


Eccles Foundation Contribution to Help Top Freshmen Enter Grad School

A new program at the University of Utah guarantees that well-qualified students entering as freshmen will be admitted to one of the University’s elite graduate programs upon completion of their undergraduate degree. The new program will begin Fall Semester 2010 and will be administered by the University’s Honors College. The innovative program was announced in conjunction with a $1.2 million contribution from the George S. and Dolores Doré Eccles Foundation, which will fund the Eccles Distinguished Scholar Awards as part of the new program. Top students from throughout Utah will be eligible to apply for the Eccles Distinguished Scholar Awards, which will provide the most generous undergraduate scholarship support available at the U, including full tuition, housing, and fees. Eccles Distinguished Scholars will also receive mentoring, advising, and academic opportunities through the Honors College. While early assurance programs at other universities require students to declare their graduate selection upon admission, the U’s program is unique for its “open-track system,” which allows students to take courses for two years before declaring their graduate program intentions.


The Digit

18%

The quantity by which external research
funding at the U has increased since 2004,
to $377 million in 2009.

What to Do at the U During the Summer

Summer’s a long time to sit idle! No need to, because the U offers summer camps and classes for youth in just about every arena imaginable, from art to architecture, music to math, for children of nearly all ages. Check out some of the options below and visit www.smartkids.utah.edu for more youth experiences available at the U.

Youth Education at the U holds more than 150 summer camps and classes in art, science, languages, technology, music, and recreation. Harness the wind, pan for gold, learn to climb, perform an opera, design a building, and make new friends; www.youth.utah.edu

Youth Theatre at the U offers summer programs for youth ages 5 to 18 aimed at developing the whole child using theater as the medium to help them access emotions and explore complex issues; www.youththeatre.utah.edu

The Utah Museum of Natural History hosts more than 40 week-long summer camps for youth in kindergarten through middle-school; www.umnh.utah.edu/summer

The Summer Mathematics Program for High School Students provides outstanding students an opportunity to develop their talents for future work in mathematics, the sciences, or science-related careers; www.math.utah.edu/hsp/

Children can dance their way through summer with the Tanner Dance Program, giving youth a variety of options including dance classes and camps, Kindermusik, and even visual art; www.tannerdance.utah.edu

The U’s Sports Camps offer summer camps in men and women’s basketball, soccer, football, baseball, gymnastics, softball, volleyball, and swimming  http://www.utahutes.com/ (click on “Camps” in the top bar, then the sport)

Kidstar Summer Camp is an activities-based summer program designed to help youth with high functioning autism or Asperger’s Syndrome, ages 8 to16, learn social skills and build self-esteem; www.healthcare.utah.edu/uni/events/Kidstar%20Summer%20Camp.html

The Utah Museum of Fine Arts offers summer sessions for youth in making art with mom and dad, exploring the colors of Mexico, and curating their own exhibitions; www.umfa.utah.edu/childrenprograms

Looking Out for the Lakers

Two U of U grads help the NBA champions stay on top of their game.

Robert “Chip” Schaefer (left) and Gary Vitti. Photo courtesy Andrew D. Bernstein/NBAE/Getty Images

In the Los Angeles Lakers’ locker room, superstar Kobe Bryant changes into his jersey, then rubs his ankles. The 6-foot-6, 205-pound guard is all muscle, but for this afternoon’s practice session, some of his joints and tendons will need a little attention.

A call goes out to Athletic Trainer Gary Vitti MS’82 (sports medicine), who has been keeping the Lakers on their feet—literally—since 1984. A locker room attendant finds the affable Vitti in the hall, visiting with an old friend.

“Kobe needs his ankles taped,” the young fellow says hurriedly, as if the weight of the world is on his shoulders.

Vitti excuses himself, then speeds off to the locker room. When one of the NBA’s premier players—or even a benchwarmer—requires care, Vitti swings into action.

But Vitti, 55, isn’t the only University of Utah alumnus working to make sure the NBA’s 2009 championship squad stays healthy. Director of Athletic Performance/Player Development Robert “Chip” Schaefer BA’83 (physical education and sports medicine) is also entrusted with the care and prevention of injuries to players. Together, these Utes create conditioning programs that stress fundamental stretching exercises, proper nutrition, and preventative health testing. And when a player is injured, Vitti and Schaefer will design a personal regimen for that athlete to help get him back out pounding the parquet.

As the Lakers jog onto the practice court this afternoon and begin tossing basketballs around, Vitti ruminates about what the NBA was like in his first season, 26 years ago.

“We had 12 players, a head coach, and two assistant coaches—and one of those assistants I never saw, because he was the advance scout,” he says. “We didn’t even have a practice site. We were like vagabonds; one day we practiced at Loyola, the next at Cal State LA or at a YMCA. Teams didn’t have physical therapists or strength coaches. I was one of the first.”

The most recent Lakers team photo features 30 members, including players, coaches, and support staff, he says.

Today’s basketball players aren’t as good as they were “in the old days, but today we have better athletes,” Vitti claims. “[Earvin] Magic Johnson, Larry Bird, and those guys, they couldn’t jump over a piece of paper. But they were great basketball players—they could dribble, pass, and shoot. Today’s players don’t dribble, pass, or shoot, but they can blow by you. They’re quicker, stronger, and more muscular.”

And treating players’ aches and pains has moved from bandages and splints to high-tech diagnostics that include MRIs and ergonomic flow charts that track how an athlete moves, from the soles of his feet to the top of his spine.

One of the players who impacted the face of sports medicine was former Laker Magic Johnson, who announced his retirement before the 1991-92 season after testing positive for HIV. However, fans voted him as a starter in the 1992 All-Star game, and he was a member of the 1992 U.S. Olympic team. He attempted a comeback with the Lakers before the 1992-93 season but announced his retirement after playing in some preseason games, citing complaints from several players over his return.

“At the time, the biggest thing I had to do was protect Magic from everyone else, because of his compromised immune system,” Vitti remembers. “Some people didn’t want to play with him and wondered how they could protect themselves from the virus. We kept telling everyone, ‘You can’t get the virus from playing with him.’ One game, he got a fingernail scratch I had to bandage, and I was about to go for my gloves in my back pocket when I thought, ‘We’re telling the world every day that there’s nothing to worry about, and here I am about to put on gloves to treat a non-bloody wound.’ I didn’t want to send a mixed message, so I kept the gloves off. But Magic knew what was going on, and the next day he retired.”

Johnson attempted another comeback during the 1995-96 season, playing in just 32 games before switching to a coaching position.

Before Schaefer, 49, joined the Lakers in 1999, he spent eight seasons with the Chicago Bulls, where he kept superstars like Michael Jordan and Dennis Rodman at the top of their game. During his tenure, the Bulls won six NBA Championships.

“Michael would always play, no matter how sick or hurt he was,” Schaefer remembers. “No matter what I or anyone else did for him, he would play brilliantly and make it look like somehow I had something to do with it. I, of course, did my due diligence with regards to any injury treatment and rehabilitation, but he was going to play no matter how he felt, and therefore he made me and everyone else look good in the process.”

As for the flamboyant Rodman, Schaefer says, “In private, Dennis was far less colorful than his public persona, and he was actually a delight to work with. He was a very generous person and very low-maintenance.”

Besides helping the Lakers fine-tune their athletic performances, Schaefer also helps players from overseas and rookies drafted out of college get acclimated to the fast-paced NBA lifestyle.

“Professional athletes are getting younger and younger, and they’re wrestling with adaptation issues,” he says. “Everything we take for granted, from balancing a checkbook to making sure our driver’s license is valid and we have proof of insurance, are things that some of these guys have never had to do for themselves. So, some of my job includes an educational component. I also help some of those who come out of college early register for classes in the off-season so they can continue going to school to earn their degrees.”

In the off-season, Schaefer and Vitti also have a number of other projects that keep them busy. Schaefer is an examiner for the National Athletic Trainers Association’s certification test. Vitti lectures at sports medicine seminars around the world, including those in the Philippines and Italy, where he owns a house that has been in his family for more than 400 years. He has also written a monthly column for Sports Medicine Digest and produced “Training for Excellence,” a conditioning video.

But of all his accomplishments, Vitti is most proud of his philanthropic work. In 1991, he created the annual NBA Trainers Association Superstar Sports Auction, which has now raised hundreds of thousands of dollars for various charities. (Vitti was awarded “Trainer of the Year” in 1991 for the project.) He also helped found “A Window Between Worlds,” a nonprofit organization dedicated to using art to help end domestic violence.

“I knew a woman who grew up in a house where there was domestic violence, and I saw firsthand how a child who grows up in that kind of environment ends up as an adult,” Vitti says. “It broke my heart. ‘A Window Between Worlds’ helps domestic violence survivors use art to express their feelings in a way that they might not be able to do otherwise.”

Both Schaefer and Vitti recall fond memories of the U. Schaefer’s wife, Andra ex’82, was a member of the Ute gymnastics team. And while Vitti was pursuing his master’s degree, he began working in the NBA as an assistant trainer with the Utah Jazz while also teaching at the University.

“He was one of my teachers,” says Schaefer, gesturing toward Vitti, who now works beside him.
Vitti smiles shyly, then says that if it weren’t for former U of U professor Bill Bean BS’79 MS’86, “I wouldn’t be here today. He was a great mentor who not only taught me everything I know about sports, but also how to deal with athletes and coaches. You can be the best trainer in the world, but if you can’t interact with people around you, then you’re just a smart guy who can’t communicate.”

Schaefer nods in agreement.

Bean, the Athletics Department’s former director of sports medicine, retired in 2008 after teaching at Utah for 32 years. “They’re still both very close friends of mine,” Bean says of his former charges. “They were both very eager students who developed a love for sports medicine, and they’ve done a great job in their careers.”

And how often did Vitti and Schaefer call to ask their teacher for advice? “I used to ask them for advice,” Bean says with a laugh.

—Benjamin Gleisser is a Toronto-based freelance writer with more than 20 years of sportswriting experience.


In Memoriam

WEB EXTRA~

John J. Flynn, a University of Utah professor of law for more than four decades, died April 11 in Salt Lake City, one day after his 74th birthday.

John Joseph Flynn was born on April 10, 1936, in Chelmsford, Mass., to George Ryan Flynn and Mary Woodhead Flynn. As a boy in Massachusetts he learned to love music, gardening, and fishing—three passions that remained with him throughout his life. For a while music was something of a career for him: he played sax and clarinet for a number of bands, including that of famed jazzman Maynard Ferguson. He loved fishing for trout and salmon, and his summer garden was always a delight to friends and family. But his true calling was the law, and in his long and storied career he served his country and his community as a teacher, an advocate, a philosopher, and an attorney.

Flynn received a B.S. cum laude from Boston College (1958), an LL.B. from Georgetown University (1961), and an S.J.D. from the University of Michigan (1967). In 1963 he was asked to join the faculty at the University of Utah, and with his beloved wife, Sheila, made Salt Lake City his home. It was from Utah that his profound impact on both the local and the national scene unfurled. As he said so often, “Every legal decision is a moral decision.” His advice and counsel was sought time and again by the administration of the University of Utah throughout his 42-year career there. John was a fierce advocate for faculty governance and a defender of academic freedom. He took great pride in the fact that he was part of the team that drafted the University’s free speech regulations and that they are still in effect. He was honored by the College of Law with the Hugh B. Brown professorship (which he held from 1986 to 2004), and by the U itself in 1987 with the prestigious Rosenblatt Prize for Excellence, the University of Utah’s highest honor, awarded annually at Commencement. Flynn was also one of the United States’ preeminent legal minds in his chosen field of Antitrust. In addition to co-authoring two basic law texts used across the country (Free Enterprise and Economic Organization: Antitrust and Free Enterprise and Economic Regulation: Government Regulation), his counsel was sought by the U.S. Senate and House, Federal and State courts, and the White House. He taught law as a visiting professor at the University of Michigan, Georgetown, Texas, Washington University, and the University of Pennsylvania. He also served as Special Counsel and consultant to the U.S. Senate Judiciary Committee’s Antitrust Subcommittee from 1969 to 1976. He served on the Consumer Advisory Panel to AT&T from 1990 to 1999, as Ombudsman for Utah Power and Light, and was a board member of the Lawyer’s Committee for Civil Rights Under Law. Flynn was particularly proud of two important public service contributions. First was his eight years of service as counsel to the legendary Sen. Phil Hart (D-Mich.), chair of the Antitrust Subcommittee of the Senate Judiciary Committee. Second was his central role in obtaining divestiture of the Northwest Pipeline system from El Paso Natural Gas by the United States Supreme Court.

John Flynn is survived by his wife of nearly 50 years, Sheila; children and daughters-in-law John J. Flynn Jr. and Risa Palley Flynn of Culver City, Calif., Siobhan M. Flynn of Berkeley, Calif., and Timothy R. Flynn and Terry Ellis of Royal Oaks, Calif.; and four grandchildren, Shea Shannon McFarlin Flynn, John Ephraim Palley Flynn, Max Edward Palley Flynn, and Tadg Rowan Ellis Flynn; siblings Rev. George Flynn of Lima, Peru; Patrick Flynn and wife Elizabeth of Phoenix; Joseph Flynn of Boston; and Ann Flynn of Worcester, Mass. He was predeceased by his parents and siblings Jude T. Flynn and Mary Flynn. A grand celebration of John’s life and work will be held later in the year in Salt Lake City, and information about that event as well as comments and memories from the public can be found at a special memorial site at www.johnflynnmemorial.org. In lieu of flowers, the family suggests that donations be made in the name of John Joseph Flynn to the Myelodysplastic Syndromes (MDS) Foundation, the Huntsman Cancer Center, or And Justice For All.

Edited from the notice published in The Salt Lake Tribune on 4/14/2010.

 

 

Kevin J. Gully BS’75, Ph.D., ABPP, a Utah forensic psychologist whose career revolved around helping those recovering from traumatic experiences, died February 16. He was 58.

Kevin Jungers Gully was born Dec. 17, 1951, in Salt Lake City, the fifth child of Walter James Gully and Helen Harriet Mondloch. He was student body president and played football for Judge Memorial High School. He did his undergraduate work at the University of Utah, pursued his master’s degree in psychology at UTEP, and received his doctorate in clinical psychology at Washington State University. He became an associate professor at the University of Utah and dedicated his life to helping traumatized adults and children as a forensic psychologist for the Safe and Healthy Families program at Primary Children’s Medical Center. He evaluated and treated abused adults and children, including those who were homeless and in custody of adult and juvenile corrections. He was known for his expertise, professionalism, breadth of knowledge, and enthusiasm, and was sought after as a presenter, mentor, researcher, and teacher.

A diplomate in forensic pychology with the American Board of Professional Psychology (ABPP), he developed two important psychological evaluation tests, the “Social Behavior Inventory” and the “Expectations Test.” He also made significant contributions to Utah’s judicial system and in 2007, received the annual Amicus Curiae Award, presented by the Chief Justice of the Utah Supreme Court for outstanding contributions to the improvement of the Utah judicial system. He was appointed by Gov. Jon Huntsman to the board of the State Division of Child and Family Services, and the Chief Justice appointed him to the Guardian ad Litem Oversight Committee.

At the U, Kevin was a member of the Sigma Chi fraternity, a tradition his two sons followed. His passions were skiing, hiking, and spending time with his family, especially at the cabin. He loved team sports, playing card games, and was also a member of the Wasatch Mountain Club. Kevin’s sense of humor was cherished by his family and friends.

Kevin is survived by Pamella Spence Gully, his wife of 34 years; sons Adam and Eric; sister Nana Penrose; twin brothers Monty and William (Tina); sister-in-law Janice; and numerous nieces and nephews. He was preceded in death by his parents and his brother James. In lieu of flowers, family suggests donations to Primary Children’s Medical Center, Center for Safe and Healthy Families.

Edited from the notice published in the Deseret News from 2/21-2/23/10.

Walter J. Hawkins BS’73, a former Ute basketball player and coach, died peacefully at home in Arlington, Va., on November 28, 2009. He was 62.

Walter Jerome Hawkins was born April 25, 1947, to Bishop Robert L. and Josephine Hawkins. Walter joined the church at an early age and enjoyed singing in the choir with his brothers as they accompanied their father in his ministry. An athlete, as a youth he participated in many different sports. Walter attended Luther Jackson High School, where he played both football and basketball, and later W.T.Woodson High School, where he became an outstanding basketball player and received a place in the school’s Hall of Fame. Following his graduation from Woodson in 1966, he attended Neosho College in Kansas, where he was named an All-American Basketball Player and received an associate degree. In 1968, he was selected as an alternate for the U.S. Olympic basketball team and played in the National Invitational Tournament at Madison Square Garden. He later continued his education at the University of Utah, where he served as captain of the basketball team and later as assistant coach for the team.

Beginning in 1976, Walter served for 27 years as an integral part of the growth of his longtime dream, a facility providing recreation and civic activities in the Bailey’s Crossroads area of Arlington. He became the Bailey’s Community Center director and also worked as a recreation specialist at the Social Center for Psychological Rehabilitation from 1980 until 1992. He retired in 1992. Walter also had a love for horticulture and spent time cultivating his yard to make it a sight of beauty in the community. After retirement, he formed Hawk-Eye Landscaping Services to help make any yard or flower garden beautiful.

Walter is survived by his wife of 39 years, Pamela Hawkins; children Katherine (Romayn) Robinson, Robert, Randolph (Vannora), Tuscon (Zeineba) Hawkins, and Walter Winston; siblings Celeste Morton, Constance Moore, Alice Hawkins, Jacqueline Hawkins-White, James, Albert, Steven, Michael and Conrad Hawkins; five grandchildren; and numerous other family members. He was preceded in death by his parents and his brother Carl. Interment is at Pleasant Valley Memorial Park.

Edited from the notice published in the Washington Post on 12/2/09 and other sources provided by the family.

 

 

Paul Hodson BA’36, former U of U business vice president and vice president of special projects and international relations, died March 24. He was 100.

Paul William Hodson was born in the family home on Brigham Street (East South Temple Street) in Salt Lake City on May 8, 1909, to John Thomas Hodson and Coralee Alvira Smith. Paul served as a missionary in the LDS German-Austrian Mission from 1930 to 1933 where he witnessed the rise to power of Adolf Hitler, which greatly impacted his future. Upon his return, he attended and graduated from the University of Utah. The following summer, he visited his mentor and employer Wallace F. Bennett at Bennett Paint Company and asked to marry his secretary and borrow $1,000 to attend Harvard. He and Shelley Holmes were married September 7, 1937, and immediately left for Springfield, Mass., where he received his MBA. He continued on to doctoral studies at Stanford University. During World War II, he served on the University of Utah faculty and in the administration of the wartime campus and its soldier-training mission. In the final period of the war, he was assigned by the War Department to the European Theater of Operations as chief of the Austrian team, Morale Division, of the United States Strategic Bombing Survey.

Hodson was the business vice president at the University of Utah during its postwar expansion in the 1950s and 1960s when the campus was redesigned and 30 major buildings and an equal number of minor buildings were funded and built. He then became the U’s vice president of special projects and international relations. He filled U.S. State Department and other foreign consulting assignments in Venezuela, Mexico, Bolivia, Spain, Germany, and England, and chaired the U’s faculty committee on international relations. The University’s Board of Trustees gave him the title of vice president emeritus upon his retirement in 1973.

Active in professional and civic affairs, Hodson served as president of the Western Association of College and University Business Officers, and on the governing boards of several other organizations, including the National Association of College and University Business Officers, the Salt Lake Rotary Club, and Blue Cross of Utah. The U of U Alumni Association in 1974 presented him with the Distinguished Alumnus Award. He was an active member of the Professors Emeriti Club, University of Utah; and the Monday Nighters, a conversation club from the University community.

Following retirement from the University, Hodson developed a horse-oriented planned unit community in Sandy called the Dimple Dell Ranchettes. As chair of Salt Lake County’s citizens’ advisory committee, he was active in the establishment of the 624-acre Dimple Dell Regional Park. His retirement activities included the writing and publishing of several books: Crisis on Campus: The exciting years of campus development at the University of Utah; Never Forsake: The Story of Amanda Barnes Smith, Legacy of the Haun’s Mill Massacre; My Several Lives: An Autobiography; and Insights Gained from Events Remembered.

An active member of The Church of Jesus Christ of Latter-day Saints and devoted father, Paul always insisted that his greatest achievement was in marrying Shelley and, with her, raising a wonderful family of eight children, 29 grandchildren, 38 great-grandchildren, and one great-great-grandchild. Survivors include children Susan Gunnarson (Lynn), Jeannie Kathleen Jones, Paul William “Bill” Hodson, Jr., Steven Holmes Hodson (Colleen), Jonathan Holmes Hodson (Cherie), Elizabeth Ann Hodson, and Robert Holmes Hodson (Marianne). He was preceded in death by his wife, Shelley; his son David Holmes Hodson; granddaughter Debbie Nemelka Spotts; and grandson Jon Nemelka.

Edited from the notice published in The Salt Lake Tribune from 3/26-3/28/2010.

 

 

William R. Slager PhD’51, a longtime University of Utah professor of English and Linguistics, died March 11. He was 84.

William Russell Slager was born November 8, 1925, in Butte, Montana. He attended the University of Minnesota, where he was a lieutenant in the U.S. Navy and received a bachelor’s degree in Naval Science and Tactics. He then came to the University of Utah to begin the pursuit of his life’s work, teaching language. After receiving his doctorate, was faculty member at the University of Utah, where he was a full professor of English and Linguistics. In 1969, he founded the Linguistics Program and served as its director for six years. He was also chair of the Department of English from 1975 to 1978. Bill served two Fulbright assignments in Egypt (1952-54 and 1958-59), a State Department Cultural Exchange assignment to Guadalajara, Mexico (1967-68), and an assignment as a visiting professor at Zhejiang University in Hangzhou, China (1982). He also taught summer sessions at Michigan State University, the University of Michigan, and UCLA. He served on major national committees including the National Advisory Council on the Teaching of English as a Second Language, Council of International Exchange of Scholars, the Committee of Examiners for TOEFL (Test of English as a Foreign Language), and Educational Testing Service. His service to professional organizations included chair, Association of Teachers of English as a Second Language, and director, National Council of Teachers of English. In the1960s and 70s, Bill consulted extensively for the Center for Applied Linguistics (especially on bilingual programs for Native Americans, including Navajo, Papago, Crow, and Lakota); for the National Council of Teachers of English, the U.S. Office of Education, and the Field Service of the National Association of Foreign Student Affairs. He lectured and gave workshops throughout the world including in Syria, Italy, Spain, Fiji, India, Poland, Brazil, Columbia, Morocco, and Tunisia. He also served as an Academic Specialist for the United States Information Agency in Czechoslovakia, Pakistan, Italy, the USSR, Mexico, Paraguay, and Kuwait. His major publications include articles and textbooks; most notably he was chief author and project director for the National Council of Teachers of English on English for Today, the first textbook series in English as a second language to be published by an American author and publisher (McGraw-Hill).

Bill Slager is survived by his best friend and ex-wife, Athena Slager; his three children and their spouses, Christopher Slager, Jonathan Slager (daughter-in-law Liz Slager), and Tina Bland (son-in-law Jeff Bland); and six grandchildren, Christopher Slager, Samantha Slager, Kassandra Metos, Nicholas Metos, Melissa Metos, and Athena Bland. Bill requested no funeral or services to be held on his behalf, but was willing to accommodate his family by allowing a party to be held in his honor.

Edited from the notice published in The Salt Lake Tribune from 3/13-3/14/2010.

‘When you can give to folks’

Professor Bill Farley reflects on the influences that have fueled his 50-plus years in social work.

Bill Farley visits with Marjorie Dyke—one of the many recipients of his dedication to assisting the elderly—at her home. Photo by Roger Tuttle.

How does a man whose career spans half a century sum up his tenure?

“It was one of the most gratifying and rewarding experiences of my life,” he says.

O. William “Bill” Farley BS’58 MSW’59 PhD’68 began his career as a professor of social work at the University of Utah in 1962. In his 48 years here, Farley has built an impressive legacy of programs that have provided opportunities for students to develop their social work skills, given assistance to the greater Salt Lake community, and been an inspiration to those around him.

“When I was in fifth grade, my friend’s uncle was studying medicine at the U,” Farley recalls. “They lived near campus, and I always thought, ‘Wow, what an opportunity to be at that university someday!’ ”

Farley worked hard to make that dream a reality. He was the first of his extended family to attend college, and his dedication to studying in high school paid off as he scored high on the national exams and received scholarship offers from Harvard, Yale, and Stanford. He chose to attend Yale, where he focused on industrial administration. He returned to Salt Lake City in the middle of his sophomore year to marry his sweetheart, Mary Siggard ex’57. Not long after returning to Connecticut, the couple decided their hearts were still in Utah, and they moved back. Farley enrolled at the U, where he received a bachelor’s in sociology and master’s in social work before entering the United States Air Force.

Bill Farley (second row, far right) poses with his fellow MSW students in 1958.

“Campus was a different place when I came to study in 1955,” he says. “[The College of] Social Work was still located in Presidents Circle, and there was nothing where we are now.”

It wasn’t until 1969 that the College of Social Work would have its own building, and Farley was there for the groundbreaking, just as he was there for the groundbreaking of the Wilford W. and Dorothy P. Goodwill Humanitarian Building in 2007.

“I was so excited to be on campus,” Farley recalls. “I chose social work because I like dealing one-on-one with people. I needed the hands-on approach of working with people and helping them.”

After a three-year stint in California, where he was the chief psychiatric social worker for Travis Air Force Base Hospital, Farley was once again pulled back to Utah, where he and Mary had strong family ties, and to the U, where this time he returned as a member of the social work faculty, going on to receive his doctorate in educational psychology.

College of Social Work faculty Fenton Moss, Zella Allred, and Bill Farley overlook construction of the new social work building in 1969.

“It’s funny, I had opportunities to work just about any place in the U.S.,” he says, “but what made me stay at the U was the super students. Many of those students are now retired and have made great contributions during their careers as heads of different agencies in the social work system. It’s gratifying to know that these were my students.”

Although Farley’s students kept him based at the U, his zeal for community outreach led him to travel throughout the state. He spent 10 years working with a mobile mental health clinic that each month visited the rural areas of Southern Utah. Farley also trained paraprofessionals in Alaska. In the late ’70s and early ’80s, more than 50 percent of social workers in southwest Alaska were trained at the U or by U faculty, thanks to a grant from the National Institute of Mental Health.

“I have really enjoyed my career because I have had the opportunity of working with folks as well as teaching and doing research,” says Farley.

Part of his “work with folks” led him to his current role as director of the College of Social Work’s W.D. Goodwill Initiatives on Aging and its successful Neighbors Helping Neighbors (NHN) program. Established in 1997, NHN is committed to helping the elderly live independently for as long as possible. The program is powered by social work students and community volunteers who offer their time and talents to seniors in need of home repairs, cleaning, shopping assistance, snow removal, counseling—or simply companionship.

U of U President Michael K. Young (fourth from right) shakes hands with Bill Farley at the groundbreaking of the Dorothy P. Goodwill Humanitarian Building in 2007.

“By 2015, someone will turn 65 every 23 minutes in Salt Lake County,” Farley explains. “People don’t talk about growing older—or the ability to be cared for. There are many older citizens living in Salt Lake who are in need of assistance right now. Our program has assisted almost 3,000 older adults to live in their own homes. We are always asking the questions ‘How can we help keep them in their homes? How can we make things better for them? How can we keep their bodies and minds engaged?’ We really want to get out there and help as much as we possibly can,” he says. “Just a little bit of work and cleaning can keep them in their homes. We want to give them a sense of hope and a quality of life. That’s what the new building will help us accomplish.”

That structure, the Wilford W. and Dorothy P. Goodwill Humanitarian Building, was created to house the NHN program and the W.D. Goodwill Initiatives on Aging, as well as to provide a Senior Support Program, where seniors can come for assistance with everything from applying for Medicare to family counseling.

Working alongside the Goodwills, Farley had a vision to create these programs to help the elderly. In turn, the Goodwills saw a need and responded to it. Wilford Goodwill had watched as his aging mother’s dependence on others steadily increased. He realized that her situation was not unique, and that there was a clear need for more research and better programs for senior citizens. He became determined that when he was financially able, he would do everything possible to help others like his mother.

Over the last 10 years, the Goodwills have invested in programs at the University of Utah that help social work students become more knowledgeable about aging; their investment includes the building that bears their name.

“How can someone stay in one job for so long?” Farley muses before responding to his own question: “When you can give to folks. It’s even more fun when you can put theory into action. What’s exciting is to witness the creativity of these great students.”

Farley’s own creative impulses have produced many books, other publications, and paper presentations that reflect his varied interests in aging, human behavior, research, mental health, and rural practice. First published in 1964, Introduction to Social Work is now in its 12th edition. Farley also had the privilege of writing the Social Work Licensure Law in 1971 for the State of Utah.

How has the field changed in all this time?

“People’s problems go on,” says Farley. “But recently I’ve noticed a significant increase in substance abuse and challenges with interpersonal relations. There seems to be a lot more chaos to existence than ever before.”

Reflecting again on the challenges and satisfactions of his long career, Farley pulls himself back to the moment and says with a wide smile, “What a thrill. I’ve really enjoyed myself.” This is evident from the enthusiasm he displays while pointing out portraits of past colleagues and friends such as the Goodwills, Milt Thackey, and Rex Skidmore—“social work giants,” as he calls them—who have all been touched by and worked alongside him over the years.

Farley will retire this year at the end of June, but the thrill he describes is sure to carry on. An avid traveler, he anticipates new journeys with his family—five children (all of whom attended the U), 21 grandchildren, and six great grandchildren.

When asked how a pioneer in the field of aging feels about his own pending retirement, Farley relaxes, knowing that, thanks in no small part to his own efforts, Utah now hosts some of the finest programs anywhere for seniors—programs that can eventually benefit us all.

—Taunya Dressler is a writer with University Marketing and Communications and has authored previous articles for Continuum.

A Mind Aflame

Professor, writer, and editor Lance Olsen might make your head explode.

Photo by Roger Tuttle

As the author of 10 novels, four short-story collections, four critical studies, one hypertext, a poetry chapbook, and a textbook about fiction writing, as well as editor of two collections of essays about innovative contemporary fiction and chair of the board of edgy publisher Fiction Collective 2 (FC2), Lance Olsen is a bit of an academic and intellectual renaissance man.

Olsen, who arrived at the University of Utah to teach experimental narrative theory and practice in 2007, sat down recently to share his thoughts about his new novel, Head in Flames (Chiasmus Press, October 2009); the state of the current publishing industry; the rewards and challenges of working with students; and how artistic collaboration is a lot like a relationship—which in his case is doubly true, as his most frequent collaborator is his wife, artist Andi Olsen.

Can you talk a little about your impressions of the University of Utah English Department and what brought you here?

The U’s English Department is remarkable for the wonderfully permeable membrane it has constructed between its creative and critical programs, its highly regarded Ph.D. program in creative writing (recently ranked top five nationally by The Atlantic Monthly), the sense of community it generates among its grad students and between those students and its diverse faculty. The easily fused and confused discursive spaces developed here allow one to engage in conversations that simply don’t exist elsewhere.

Because of that environment, the department attracts a particular and particularly interesting sort of amphibious student—one, that is, who moves easily among theoretical, critical, and creative modes of being, aware that the more one explores them, the fewer the categorical differences one finds among them. Criticism thus becomes a subset of fiction, fiction a subset of theory, theory a kind of autobiographical poetry, and so forth.

What is the significance of having FC2 associated with the University of Utah?

FC2 is an independent publisher run by and for innovative authors. Rather than employing a commercial business model, FC2 employs a collective, collaborative one. Begun in 1974 by a handful of writers frustrated at the corporatization of the publishing universe in Manhattan, FC2 figured it would run for three or four years, bring out the work of a few innovative writers, then fold, mission accomplished. Imagine our surprise, then, that, 36 years later, we’re in better shape than we’ve ever been.

The editorial board, board of directors, and the various elements of production are scattered across the U.S. With the essential help of my graduate assistant, FC2 Fellow Matt Kirkpatrick, I coordinate the whole from the University of Utah: production, editorial decisions, advertising, distribution, day-to-day conversations with authors, our two annual contests—one for authors looking to publish their first innovative novels and short-story collections, one for mid-career authors—and so on.

FC2’s presence at the University gives students hands-on experience with how independent publishing works within the larger context of publishing in the U.S., and how publishing in the U.S. works within the larger context of the entertainment industry (commercial publishing, I should mention, is used by entertainment corporations for tax write-offs). For students, being near FC2, being involved in it in various ways, is an invaluable education in the pragmatics of the means of production and distribution in the contemporary book-making industry. In the land of theory and criticism, one often forgets such essential practical concerns as how experimental texts get found, get bound, and get out there.

In other words, you can focus more on the work itself than whether it will make you a lot of money.

It’s the same difference one discovers in the music industry between the world of independent record labels and the world of big Lady Gaga business. New York publishing has increasingly become synonymous, not with serious literary investigations, but with books-as-entertainment—with novels, for instance, that want to be movies when they grow up.

The difference between that and what FC2 does is the difference between Britney Spears’s vanilla pop tunes and Arcade Fire’s alternative complexities. The really interesting stuff, at least by my lights, is happening, metaphorically speaking, down in the clubs, out in the garages.

FC2 can and does publish the sorts of books New York stopped imagining back in the early ’70s because FC2 has decided to operate outside New York’s economic constraints, beyond the deadly notion (at least to fiction in particular, and to the humanities in general) of the grotesquery called the bottom line. Adherence to the bottom line in the arts represents a failure of imagination.

How do you convince a hyper-ironic and skeptical generation of students, many of whom have grown up on these entertainment books, to think that there’s something worth exploring in more challenging texts?

You know you’re in the presence of experimental writing because you feel you need to develop a new language with which to speak about it. My goal in the classroom is to be a language instructor for one that doesn’t yet exist.
The difference between entertainment and art has to do with the speed of perception. Art is designed to slow perception down so one can re-experience experience and thought. Entertainment is designed to speed perception up so one doesn’t need to feel or think about very much at all. The books I teach are all about the former, all about learning how to slow down, defamiliarize one’s engagement with the text of the text and the text of the world.

You might imagine students would grimace at such stuff, but it’s just the opposite. This is the realism their culture(s) understand.

Some of your work walks the lines between nonfiction, fiction, and poetry.

I used to have a much better sense of the difference between fiction and nonfiction than I do now, much in the same way that I used to have a much better sense of the difference between fiction and poetry. I used to be able to go on and on with definitions and histories and marketing categories and such things. That is, I used to know a lot more than I do these days, thank goodness.

Or perhaps another way of putting it: I’m increasingly interested in post-genre concerns, increasingly comfortable conceptualizing a book like Head in Flames as a text that inhabits the blur-space among several modes of writing at once—a gesture which has the effect of questioning the idea of genre itself, critiquing such notions of disparate difference.

For me, Head in Flames (which centers on two narratives: Vincent van Gogh’s suicide in 1890 just outside Paris, and the murder of his brother’s great-grandson [Dutch filmmaker Theo van Gogh] in Amsterdam in 2004 at the hands of Mohammed Bouyeri) has qualities that align it with the novel (something like a plot, disrupted as it is; something like characters, despite them coalescing on the page quite differently from the way conventional characters might coalesce) and with poetry (its language and look share many more attributes with what we think about when we say “poetry” than with what we think about when we say “narrative”).

The novel’s repetitions and rhythms, its leitmotifs and refrains, however, have more to do, I think, with musical structures. It’s concerned, too, with the materiality of the page, how texts matter, how page turns into stage, and in that way you can see it thinking continuously about its relationship to book art.

Can you describe how the collaboration works between you and your partner, Andi?

Right now we’re working on a series of fake diseases for her ongoing installation called Freak Show—about how freaks are just like us, only more so. Once we began working together back in the late ’80s and early ’90s, the idea of the page lost its invisibility for me. The page became, as I say, matter, part of the authorship of any text.

I think of art in general and writing in particular as a possibility space where everything can and should be thought, challenged, attempted. Collaboration helps bring you into that space. Collaboration won’t let you settle, and I enjoy that unsettled feeling. It’s the place where appealing events happen.

One of the many things I love about working with Andi (and this is essential to any collaborative endeavor) is that something always results that neither one of us could ever have envisioned at the starting gate. The sum, in other words, is continuously more exciting, surprising, and liberating than the parts.

How wonderful is that?

—Paul Ketzle PhD’04 is an English instructor in the University of Utah’s LEAP and Honors programs and an occasional contributor to Continuum.

For more of Ketzle’s interview with Lance Olsen, click here.


Lance Olsen is a National Endowment for the Arts fellowship and Pushcart Prize recipient, and a former governor-appointed Idaho writer-in-residence. His novel Tonguing the Zeitgeist was a finalist for the Philip K. Dick Award, and his short stories, essays, poems, and reviews have appeared in hundreds of journals, magazines, and anthologies, including Conjunctions, Black Warrior Review, Fiction International, Iowa Review, Village Voice, McSweeney’s, and Best American Nonrequired Reading. In addition to several American universities, he has taught in Oxford and London, on a Fulbright in Finland, at various writing conferences, and elsewhere, and his work has been translated into Italian, Polish, Turkish, and Finnish. Olsen’s personal Web page includes the full text of his resignation letter to the University of Idaho: www.lanceolsen.com/bio.html.

More of Our Conversation with Lance Olsen

WEB EXTRA~

Would you talk a little more about your sense of collaboration?

Maybe it would be helpful to point out that collaboration is the basic mode of most writing, most creative acts, although our culture usually likes to repress that fact by embracing the Romantic myth of the solitary artist creating in the solitary room. All published stories and novels, for instance, are mutual projects that involve author, editor or editors, publisher, graphic artists, layout people, a printer, reviewers, general readers, bloggers, teachers, critics, people who set up reading series, and so on.

I think of those involved in a self-conscious way in this essential ecology, especially when its goal is the production and dissemination of innovative writing (i.e., writing that isn’t concerned with keeping the economic machine up and running) as literary activists—people like Lidia Yuknavitch at Chiasmus Press, Ted Pelton at Starcherone, Steve Gillis at Dzanc. They’re my heroes. If it’s the case that the early 21st century is the worst of times for American fiction because of the market pressures that favor novels and short-story collections that want to be films when they grow up, it’s also the best of times because of these sorts of people and presses—who and which, I’m happy to report, are proliferating. Competition in their universe has been replaced with cooperation. Corporate paradigms have been replaced with collective ones.

I’m also keenly aware that simply putting pen to paper, or fingertips to keyboard, is to collaborate, to enter an intricate conversation across time and space with other authors. Every act of writing, then, is a complex conscious or unconscious act of pla(y)giarism.

And that same collaborative spirit is what motivated the founders of Fiction Collective 2, of which you’re chair of the Board of Directors, correct?

Exactly. FC2 is an independent publisher run by and for innovative authors. It was launched in 1974 by a handful of writers frustrated at the corporatization of the publishing universe in Manhattan. FC2’s story, which now forms part of our culture’s past, points as well to one future of American publishing by offering a successful model based on alliance and partnership, a production paradigm run by and for authors, the idea that it is less important to make a profit than it is to disseminate significant experimental projects. The result is to remind ourselves with every book printed that there are exciting options that stand against the commercial milieu’s structuring, functioning, and ambitions.

Head in Flames, your latest novel, captures the inner narratives of actual living (and once-living) people, not fictional characters: Vincent van Gogh; his brother’s great grandson, Theo van Gogh; and Theo’s murderer, the Muslim extremist Mohammed Bouyeri. I suppose in a sense there is nothing more or less real from a reader’s perspective about a character named Vincent van Gogh than there is about a character named Holden Caulfield. Still, there’s a presumption of truth that hovers over this attempt at fictionalization. What were your thoughts about this kind of intersection between fiction and nonfiction?

 

These days I think of history writing in particular and nonfiction in general, whether “creative” or not (a distinction I once upon a time was able to articulate), as subsets of fiction (every narrative, at the end of the day entails editing, shaping, “artificing”) that concern themselves with getting all the bloodless facts right, and that’s well and good. But fiction can also experience an experience from inside out, from within a character’s consciousness, from multiple subjective perspectives. Fiction, as Picasso reminded us with respect to art, is the lie that can tell a truth, can get the diesel scent in the air right, the background sounds of clanking trams, the way the light falls on a wheat field at twilight after a hot day, the cadences of a polemicist’s anger. That’s what engages me: the complexities of a moment felt, and how we might “narrativize” it.

 

Head in Flames is also a network of quotations, half-quotations, memories, and faux observations, so it converses with the collage form as well. The novel’s a kind of documentary, of course, and, since part of the text is an appropriation and manipulation of the experimental short for which Theo was murdered (the film is titled Submission, a translation of the Arabic word Islam), and since Head in Flames is strongly visual in nature, the novel is also in self-reflexive dialogue with the film genre—particularly with film’s technique of montage, with moving collage.

And, as you suggest, the novel is also a non-novel, a text shot through with non-fictive facts semi-fictionalized. The voices in it suggested themselves to me as I became interested both in Theo’s 2004 murder and, through it, as I re-engaged with Vincent and his suicide in 1890. I began by reading Vincent’s letters, quotes by Theo that appeared in various media (he had his own TV show in the Netherlands, and a Web site called—very Theoesquely—The Healthy Smoker), and the trial transcripts and the poem and five-page letter Mohammed left with Theo’s body (the latter stuck into the filmmaker’s chest with a large kitchen knife). Those shards suggested certain rhythms, dictions, obsessions, shadings, metaphors, syntax—all the things that make somebody’s language somebody’s language. While on occasion I quoted them verbatim, most of what developed as I went along was a mixture of slant quotes (what I think of as the equivalent of slant rhymes) and a faintly more insistent form of voice for each character than was present in the original—perhaps something like a concentrated version of each man’s style of communicating in the world.

But there’s also an incredible fidelity in your work to the actual lived experiences of these people.

I read quite a lot about the killing and the facts surrounding it; read about Ayaan Hirsi Ali, the controversial Dutch politician who wrote the script for the film; traveled to Amsterdam and spent time in and around Oosterpark, where the actual events took place. Too, I traveled to Auvers-sur-Oise, the small town outside Paris where Vincent van Gogh spent his final days, the field where he shot himself, the room where he died. I visited museums in Paris and London that house van Gogh paintings, strolled through and sat for days in the amazing Van Gogh Museum in Amsterdam taking in his work, sensing its extraordinary growth over the course of his life, enjoying its wild brushstrokes, trying to imagine, among other things, a linguistic equivalent to them. All the details helped me world- and character-build when I finally sat down to write.

In a mass media, 24-hour hypertextual environment, the written word often seems to be an afterthought, yet it is, as you have noted elsewhere, the function of novels to give us something unique that even the immediacy of film cannot offer. Your exploration into—and incorporation of—various forms of artistic expression raises an important question, then: what do you think of as your medium?

 

I used to know the answer to that question. Working with Andi on our collaborations, trying to explore the possibilities of hypermedia writing in the new-media version of my print novel 10:01, and increasingly interested in how texts matter, how the page functions as stage in our post-genre instant, I’m tempted to say that every writer, whether he or she knows it, is a multimedia artist. Some consciously engage with the possibilities inherent in such a realization, while others do so unconsciously—unconsciously, that is, because, whether they are aware of it or not, they author electronic texts (all manuscripts these days are electronic texts), engage in collaborative creation (see above), worry about textual mattering (they prefer this font over that one, this layout over the other), and so forth.

That said, I’m still in love with what we used to call the novel, although currently I think of that entity simply as the extended prose text. The function of it—as Barthes [French literary theorist, philosopher, critic, and semiotician] reminded us was the function of all literature—is to provide the questions without the answers. That’s what extended prose texts do best: They’re a tool to help us think and feel in complex ways, to challenge preconceived notions, fundamental assumptions, to help us become more ourselves, not ourselves, and not not ourselves.

I hope it goes without saying that I’m referring to extended prose texts that strive to be art rather than entertainment, and there are fewer and fewer of those around in this culture where even bestsellers exist in a secondary position to films, iPods, iPhones, and Xboxes.

So, you’re showing your students that art is all about opportunity.

One difference between art and entertainment has to do with the speed of perception. Art deliberately slows and complicates reading, hearing, and/or viewing so that you’re challenged to reimagine and re-feel form and experience. Entertainment deliberately accelerates and simplifies them so you don’t have to think about or feel very much of anything at all except, perhaps, the adrenaline rush before dazzling spectacle. Although, obviously, there can be and are myriad gradations between the former and latter, in their starkest articulation we’re talking about the distance between Don DeLillo’s Underworld and Dan Brown’s The Lost Symbol; between David Lynch’s Lost Highway and Michael Bay’s Transformers.

Another way of saying this—to conjure up Viktor Shklovsky’s ghost and his seminal 1916 essay “Art as Technique”—is that art’s aim “is to make objects ‘unfamiliar,’ to make forms difficult, to increase the difficulty and length of perception.” Through difficulty, through impeded progress (rather than through predictability and velocity), art offers us a return to apprehension and thought.

If not that, then what?

Grounded In History

Building for the future.

Alum Sarah Woodhead channels her dual passions for architecture and the Middle East into a career drawing on both.

Sarah Woodhead in Jerusalem.

How does a young girl raised in small-town New England combine a deeply ingrained love of Middle Eastern culture with a profound interest in architecture? If that girl is Sarah Woodhead BA’80 MArch’85, she grows up to become the leader of an international consulting team that is designing and building 28 new schools—and rehabilitating 100 more—in the Kingdom of Jordan.

Woodhead works for CDM International, a private contractor overseeing a four-year, $50 million project sponsored by the U.S. Agency for International Development (USAID) to construct quality learning environments throughout Jordan. The project is providing much-needed relief to the country’s overcrowded and outdated schools. It also happens to be the perfect nexus of Woodhead’s educational background, professional expertise, and personal interests.

Woodhead’s love of the Middle East is due in large measure to her maternal grandparents, who immigrated to the U.S. from Lebanon in the 1920s. “They were from a poor village,” says Woodhead, speaking from her residence in Amman, Jordan. “They were looking for a better life, searching for the American dream.” They eventually settled in New London, Conn. Sarah was raised just five minutes away, in Waterford. The proximity allowed her to spend a lot of time with her grandparents, absorbing Middle Eastern culture.

“We ate the food, listened to Arabic music, talked about politics,” says Woodhead. “Arabic was spoken much of the time. As I got older, I asked my grandparents a lot of questions, trying to learn as much about our roots as I could.”

Woodhead also had “general discussions about geo-politics” at home with her parents—her mother was born in Massachusetts, and her father is a Utah native with Scottish, English, Danish, and Norwegian ancestry (he attended the U for a while out of high school, but left to join the Navy in WWII and continued his education through the military; eventually, he was stationed in New London, where he met Woodhead’s mother). But it was her grandparents who really triggered her lifelong fascination with the Middle East.

While her attraction to the region is easily traced, Woodhead says she has “no idea” what first sparked her interest in architecture. There was no life-changing visit to an iconic building, no family member who served as a vocational inspiration. Rather, at age 12, she simply started to sketch designs for buildings, and architecture moved straight to the top of her list of interests.

Sarah Woodhead examines a model for a new school in Aqaba, Jordan.

Still, it was culture, not construction, that brought Woodhead to the University of Utah in the late ’70s. As a freshman, she had taken an Arabic class at Syracuse University in upstate New York, and she was interested in pursuing further studies in the language and culture. But the school dropped the course the next year, so Woodhead transferred to the U to continue her education  at the respected Middle East Center, going on to receive an undergraduate degree in Middle East Studies.

Only then did she focus on architecture as a career, enrolling in the U’s graduate program. She admits that she was hesitant to jump in with both feet. “I didn’t know any architects,” she says. “I think that’s why it took me all the way to graduate school to start, because I didn’t have any role models.”

One way to find a role model is to become one yourself, so Woodhead forged ahead, paying little heed to the fact that she was a woman getting a late start in a predominantly male field. “My class was about 25 to 30 percent women,” she says. “But you could see that [female enrollment] was increasing steadily around that time.”

She recalls just one incident where her gender was an issue. She got married during graduate school—to fellow U grad Rex Nutting BA’84, who is now the Washington, D.C., Bureau chief for MarketWatch—and had a baby before her final year. “One of my male professors said, ‘You shouldn’t even be married in architecture school, let alone having a baby.’ But at that point in my life, it wasn’t going to impact me. It was just a funny story, more than anything. I really enjoyed graduate school at the U, and I think it prepared me well.”

In her current position—her official title is “chief of party” (leader of a survey party) for the Jordan Schools Construction and Rehabilitation Program—Woodhead leads a team of roughly 30 people, most of whom are men. All are from the Middle East. While she works in both a profession and a region largely regarded as male-dominant, Woodhead says she has not encountered any resistance. “None,” she says. “And it’s interesting, maybe, that I haven’t. Most of my career I’ve worked in a more male environment, and I’ve often been the boss. I have a lot of respect for everybody who works for me, and I’ve never had a problem.”

She is clearly pleased with the people she has around her and the skills they bring to the task at hand. “Jordan has a high percentage of engineers,” she says. “It’s really a well-educated country, with a very high literacy rate. And engineering is a very popular field for people to go into. They are really well trained in building practices here. This is a dedicated group, and I learn from all of them all the time. It’s a good team.”

And a busy team. Since her arrival in October of 2007, the group has completed 20 rehabs on existing schools. Sixteen more rehabs are under construction, with the last 68 now in design phase. Of the 28 brand-new schools being funded by the program, three are nearly finished, 13 are under construction, and 12 are in the bidding phase, where outside contractors vie to build the schools that CDM has designed.

It’s a large undertaking, and the need is pressing. Woodhead points out that many schools in Jordan are overcrowded, running two shifts of students every day. Others are rented facilities not intended to function as schools. And most are in poor condition. “Like a lot of urban areas in the U.S., there’s not much money for maintenance,” she says. “The schools here are very basic. They don’t have any cooling or heating, even though some areas of the country are very hot in the summer and very cold in the winter.”

A typical Jordanian school has just a few classrooms, some offices, and maybe a library. The new schools built by CDM are much different. They have heating and cooling, science labs, computer labs, and wireless and hard-wired Internet. “We are incorporating many sustainable design features, as well, like solar heating and rainwater collection,” says Woodhead.

The new schools also have a feature not often found in Jordanian schools: kindergarten rooms. “There’s a big push now to get kids into school earlier,” explains Woodhead. “The kindergarten idea is relatively new in Jordan.”
On top of that, the new schools will be some of the first in the country to be completely accessible to people with disabilities.

When rehabilitating existing schools—which are often drab, concrete buildings—the team focuses on adding classrooms and creating brighter, more nurturing environments. And that’s where the payoff comes for Woodhead. Her ultimate reward is seeing the faces of students and teachers as they move into vibrant, inviting facilities.

Of course, the job has its challenges. Chief among them is the fact that Woodhead’s husband and three grown daughters are in the U.S. (Her youngest daughter finished high school in Jordan.) She manages to spend about 30 percent of her time at home in Washington, D.C., and the family has made frequent trips to Jordan.

Despite such inconveniences, she considers herself fortunate. She has been able to indulge a love of travel throughout a region that has long had a special place in her heart. She’s visited Jerusalem, Syria, Morocco, and Turkey. And she has returned many times to Lebanon, her ancestral home, where she has connected with extended family members who still live there.

All of these experiences have given her current job an extra dimension. Surely she could design buildings in Jordan without her deep-seated connection to the Middle East. But she wouldn’t want to.

“I think my love for the culture and history infuses my work and gives it added meaning for me,” she says.

—Brett Hullinger is a Salt Lake City-based freelance writer who has written many previous articles for Continuum.