Taking the Long View For Fred Montague, founding the U’s organic gardens was a step on a larger path.

Five things you should know about Fred Montague: He’s 4.5 billion years old, and he’s a large animal, a heterotroph, a flux structure, and a killer. That’s the résumé Montague wants you to keep in mind, not just about him but also about you. It’s the backdrop, he says, for every other assumption you should have about the world—we are part of, not separate from, nature and our environment. If for no other reason than this, we should not be making such a mess of things.

Montague’s résumé also includes these entries: University of Utah professor (lecturer) emeritus of biology, wildlife biologist, author, artist, and gardener. Among his legacies at the U are two organic gardens that students plant and tend each year, one just east of Pioneer Memorial Theatre and one west of the Sterling Sill Center.

He remembers meeting, 16 years ago, with the committee that had to approve this addition to the U’s Service Learning Program. Other Service Learning initiatives had obvious beneficiaries: refugees, adults who can’t read, at-risk youths. And who would be the recipients of your project, the committee wanted to know. “I thought for a moment in a cold sweat and panic,” Montague remembers. “And then I blurted out: ‘They haven’t been born yet.’ ”

The simple answer would have been “the community food banks that will receive the produce grown in the gardens.” But Montague always takes the long view. What he had in mind was the next generation that would benefit if he taught the current generation how to grow food without resorting to pesticides, synthetic fertilizers, and patented seeds. Agribusiness, he argues, takes the short view, which is why its practices tolerate erosion, groundwater contamination, toxins in the food chain, and excessive use of fossil fuels, he says.

Fred Montague works on a drawing in the art studio at his Summit County home. His artwork can be found in private collections around the world.

“I dispense guilt and despair,” says Montague. But gardens are the flip side of this jeremiad; in the garden, he finds joy and peace—and answers.

In 2009, Montague’s own publishing imprint, Mountain Bear Ink, released the limited-edition Gardening: An Ecological Approach, a book that took him 13 years to create. The book begins with a polemic about the unsustainable practices of industrial agriculture, moves on to textbook discussions of botany, and ends with every detail you’d ever need to plant any edible thing.

Montague painstakingly hand-lettered the 400 pages himself, and the book is liberally illustrated with his own pen-and-ink drawings. Each book is signed and numbered.

It was this same down-to-earth intensity that made him a popular teacher during his 17-year career at the U. When the Biology Department announced that it was eliminating his untenured position a decade ago, remembers U cell biologist David Gard, “the students raised an uproar,” and the position was reinstated.

Two woodblock prints by Fred Montague: //Raven Chat//, top, and //Wolfpack—Alpha Pair//.

James Ruff, a biology graduate student who took classes from Montague and was his teaching assistant, says Montague enlivened the academic subjects he taught. “He bridged the gap between data, theories, and what those mean to you and me,” Ruff says. “And he still left room for wonder and inspiration from the natural world.”

Before retiring in 2010, Montague taught environmental science and wildlife ecology, was a recipient of a Distinguished Teaching Award, and was academic advisor to the Biology Department’s 1,000 students. On the first day of class, he would typically ask his students to write down five things about themselves. Answers usually included academic major, religious affiliation, gender. But what he wanted them to recognize was that each student could also be described in other ways: as old as the universe, primate, killer. Although vegans might balk at this last descriptor, Montague delights in pointing out that carrots are no less an integral part of nature than a cow. And what’s a bean, he adds, but a plant embryo.

“Every atom in your body was not created the day you were born,” he reminded his students. “You are made up of the environment. So don’t you want it to be clean?… If everyone realized they are environment with a spirit, everyone would be an environmentalist, including Newt Gingrich.”

When he served as academic advisor, first at Purdue University and then at the University of Utah, Montague also liked to challenge students to think hard about why they were pursuing their major. Write your obituary as if you had died at a ripe old age, he would tell them, and figure out what you would have wanted your life to add up to.

This ink drawing, titled //Calico Butterfly//, is among Fred Montague’s artwork.

Montague’s own epiphany about the future came as a sophomore at Purdue in the mid-1960s. He was majoring in engineering, just as his father had done. But one fateful day, his English professor introduced the class to Robert Frost’s poem “Two Tramps in Mud Time,” with its last stanza that includes the lines, “My object in living is to unite/My avocation and my vocation/As my two eyes make one in sight.

Montague had grown up in Indiana, and what had captivated him was the outdoors—how things lived, not how things were put together. He liked to hike, fish, and roam the fields around Lafayette, and even in high school he began to notice with dismay as wildlife habitats and small farms were converted into industrial farms. So, not long after reading that Robert Frost poem, he changed his major to wildlife sciences.

After college and a three-year stint in the Navy, he returned to Purdue for a doctorate in wildlife ecology, supplementing his grad-student income by selling his nature drawings and woodcuts at Midwestern art fairs. His art can now be found in public and private collections in all 50 states and in 30 countries.

Fred Montague works on a raised bed at his home in Summit County. He also founded two organic gardens at the U that students tend each year.

He and his wife Patricia (they met in a geology class in college; he calls her “the smartest person I’ve ever met”) moved to Utah in 1993 to escape the Midwest mold she was sensitive to. Once here, they began searching for the cleanest air they could find within driving distance of the U, settling on 20 acres of sagebrush and scrub oak in Summit County. What sold them was the lichen they found on the rocks there, because lichens only grow where the air is clean.

They built their dream, green homestead, and Montague built most of their furniture by hand. There is a greenhouse and what he calls a “modest vegetable garden” covering 900 square feet.

Fred Montague stands in his studio with a 1913 “Golden Jobber” press that he uses for his print and book making.

“Environmentalists make lousy neighbors”—they’re always hectoring people to recycle—“but great ancestors,” Montague says. “Ecology emphasizes relationships more than individual entities.” And that makes it subversive, because “the dominant world view reveres the supremacy of the individual,” fostering the exploitation of nature, he says.

Montague is fond of testing our assumptions about the world, starting with the notion that “humans are No. 1,” and moving on through 129 other things we take for granted, including “nature equals resources,” “time is linear,” and “science and technology can solve all our problems.” Phrases like endangered species and extinction are “mealy-mouthed and wishy-washy,” he says. The words he prefers: condemned species and eviction, which acknowledge humanity’s role in the process, he says. Not one to hold his tongue, he argues that universities (including his own) are often “research arms of industries” and that most students are learning how to “cash in” rather than be part of a sustainable larger community.

“Politicians say ‘as soon as the economy is fixed, we’ll take care of the environment,’ ” Montague complains. “The assumption is that nature occurs inside a chain-link fence.” But people and their economies “exist with the permission of nature.” What really makes the world work, he notes, are not humans but bacteria, fungi, plants. “Without bacteria, ecosystems would collapse in a matter of months.”

So the trick to saving (insert your words of choice here: coral reefs, forests, biodiversity) and preventing (radioactive waste, dead zones, oil spills) is “responsible restraint,” he says, not “sustainable development.” Yes, “sustainable” is crucial, but “development” assumes we shouldn’t take a hard look at our dependence on economic growth.

Montague holds an art book he made that features hand lettering and ink-drawing illustrations.

Of course, creating an economy not based on growth, exploitation, and convenience isn’t easy. Even a professor of ecology might be known to drive 26 miles each way to teach his classes, he notes with a wry nod to his own inconsistencies.

These days, Montague occasionally gives guest lectures but mostly tends to his land. The U’s Edible Gardens, meanwhile, continue to flourish. Although there was concern that this prime University real estate might be turned into building sites or parking lots, says garden coordinator Alexandra Parvaz BA’06 BS’06 MS’11, the gardens have been put under the auspices of the U’s Office of Sustainability, and there is an effort afoot to write them into the U’s master plan.

A coalition of students and faculty launched a garden preservation campaign, and the result is not only four-season produce (more than 2,000 pounds in 2011) that is sold to the campus cafeteria and broader community, but also an integration of the gardens into the curricula of disciplines ranging from entomology to civil engineering.

So, yes, we should be filled with guilt and despair. But we should also celebrate Earth and the life on it, Montague says. Or, as he puts it, “Many organisms—from carrots to chickens—die so that we may live. Say grace.”

—Elaine Jarvik is a Salt Lake City-based writer and playwright, and a frequent contributor to Continuum.


Web Exclusive Photo Gallery

[nggallery id=15]

6 thoughts on “Taking the Long View

  • Fred Montague was one of the most thoughtful, motivational (in a serene way) instructors I have been privileged to take several classes from. I also toiled in the garden by the Sill Center for a semester, contributed horse manure for several years and loved the experience. I appreciate this man and what he is about.

  • First, I want to express gratitude both to Ms. Jarvik and to the U of U Continuum magazine for putting this article together on such a wonderful teacher and inspiring mentor. Working with Fred up at the Sill Center garden not only helped me recover from being a wayward theater major, but also served to help me ground myself in actualizing my values and becoming a responsible and aware world citizen (as much as possible). Although Fred did not stand in the way of the guilt and despair elicited by the revelation of environmental science facts and trends, he also taught us to have compassion for ourselves and each other as we tried to integrate this knowledge into our lives. I have immense gratitude to him for his lessons in ecology and environmental citizenship, and he inspired me to follow my passion to my own vocation. I think of him often as I consider whether my lifestyle embodies my values, and especially when I’m working in my own organic garden. So, thank you Fred for turning on the light, so to speak. Your life continues to be a source of inspiration for how to live with integrity and passion.

  • I, too, consider Fred a mentor who helped guide my life’s trajectory. I had the pleasure of being a TA for several of his service learning classes, volunteering alongside my students, laughing, learning and challenging how education happens. The Sill Garden came about my senior year, and I remember clearing the soil and planting for the first time. It is wonderful to know that the garden lives on.
    I still have the print of a raccoon that Fred gave me as a graduation present in a prominent place in my house. It serves as a reminder of my mentor.
    I’m still sharing my passion for community, youth and environment in my current profession as the Executive Director of Grand Canyon Youth http://www.gcyouth.org.
    Fred, I hope you are well and enjoying retirement. I’m sure you are staying busy as ever. Thanks again!

  • It seems like I’m constantly reading about other ways that we are harming our atmosphere. It makes me sad to hear about all of the harm we’re doing – especially to our air quality. I’ve been doing tons of reading over the past 18 months or so, and I was probably most surprised to discover that the Environmental Protection Agency has discovered that the air inside of the typical home in the US is even 2-5x dirtier than the air outside. If you combine this with the reality that many adults can process up to seventy thousand liters of air each day, it seems like a legitimate for concern about the non-stop pollution of our atmosphere. How are we expected to stay free of illness – no matter how well we try to live and take care of our bodies – if we are continuously taking in chemical pollution and contaminants?


  • An hour ago I thought to Google a person ( instrument maker from the 1970s ) named Fred Montague. Instead of finding my friend ( he built three instruments for me to play ) – I learned of another Fred M who is obviously as talented in conveying ‘what life should be all about’ , as was my instrument maker. I have been delighted to ‘meet’ this ‘other Fred Montague’ reading every bit of what’s here in google land. Bravo , Kudos & Encomiums to a life well lived and hopefully to have influenced hundreds with his excellent ability to TEACH.

  • I am soon to be 100 years of age. I have tried to contact you once before with no response, but with respect I try once more. You are, as so many have said, a remarkable person. More than a teacher, more than an incredible artist, writer, publisher, and perhaps related to my friend Fred Montague, quarterback from Purdue University who won the game in last moments. He was a pilot in the Navy stationed close to Stanford. I thought he might have been your father. I met Fred Montague as a graduating senior at Stanford University. We knew each other only six months. It was wartime with the Japanese ships close to shore opposite the university in the Pacific. I graduated from Stanford in December 1942 and left California to attend Tulane University, earning a fellowship for graduate study. Fred was soon to be off to war. We agreed to write, but his letters never reached me as my mother at home, unbeknownst to me, opened my mail and destroyed my letters. My mother was in El Paso, Texas, and I at school in New Orleans. I did not have his mailing address. We became very good friends and hoped to meet again after the war. I am writing to know if he survived the war without injuries and if life has been the fulfillment of his dreams. Your accomplishments are remarkable, and I am trying to gather more readings of your truths of living, want to see your handwritten books, your drawings, renderings, all the products of your magnificent mind and talents. I am an artist, a sculptor and woodworker, with a studio producing furniture and objects for my design business. I had my own studio for 51 years and the good fortune and health to produce until I was 83. I would appreciate a response if you will, with my gratitude. Sincerely, Jean Thede McKinstry. Fred Montague would have known me as Twinke Jean Thede.

Leave a Comment

Comments are moderated, so there may be a slight delay before approved comments are posted. Your email address will not be published. Required fields are marked with an asterisk (*).